Suche nach “BINE MUSIC” — 13 Treffer

  • Judith Ravitz – Bolerio

    Sektion: Musik, Neue Releases

    Image: 1622320 Galvanised by a passion for soul, jazz, funk, folk, and Brazilian samba, Judith Ravitz’s Bolerio (in Hebrew, Yehudit Ravitz – ??? ????) brilliantly reimagines the music of the Brazilian legend Jorge Ben. Increasingly sought-after, housing as it does her seminal take on “Dia De Indio” – often re-edited and sampled, bootlegged but never bettered – it’s a uniquely thrilling LP in its own right.

    The year is 1983, and Ravitz discovered that Jorge Ben was touring Israel with his crack backing band A Banda Do Zé Pretinho. After joining her in the studio, the ensemble reinvented a selection of Ben’s killer tracks that the band regularly performed. On Bolerio – “come to Rio” - Ravitz handed them equal billing as they aided a recontextualization of Ben’s music for an audience that was barely aware of him.

    These versions are by no means straight re-treads. Far from it. The highlights are many and memorable. The aforementioned “Dia De Indio”, a strutting, electronic samba-funk with stabbing bass and fluid arrangements, sounds so current and fresh that it’s hard to believe it’s now 35 years old. Its vibrant ambience has been likened to the wiry dubbiness of King Sunny Ade’s Synchro System and it’s easy to see why. Indeed, the electro elements add a futuristic feel that the original could never comfortably possess.

    Undeniably rocking more furiously than Ben’s versions, the album begins with a throbbing take on “Boiadeiro”, the opener from Ben’s Salve Simpatia. Ravitz flows wonderfully whilst the band get busy, introducing a heaviness and complexity absent from the original, as wild bass blends with an intensity to the guitar playing that’s quite stunning.

    Ravitz’s cover of the infamous “Taj Mahal” incorporates the lush Brazilian boogie of the time
    whilst “Santa Clara”, already a standout from Bem Vinda Amizade, is morphed into a deep electronic groove. Lent an airiness by this arrangement, the track benefits from Ravitz’s exquisite range and floats by on a bed of warm keys to conjure a gorgeous melodic melancholy throughout.

    The timeless “Que Pena” from Ben’s classic self-titled LP, released in 1969, gets an injection of warm Israeli funk that eschews the downbeat vibe of the original. Led by an electric piano, A Banda Do Zé Pretinho elevate the track and turn it into a weighty samba boogie. So substantial is this take, it effectively renders Ben’s version to that of a bare bones sketch. Equally, the beautifully mournful piano and plaintive horns that grace “Que Maravilha”, coupled with Ravitz’s vocal phrasing of spine-tingling clarity, contribute a depth of feeling and longing that hit hard.

    We’ve pressed just 500 copies of this gem with strictly no option for repress. The iconic artwork has been beautifully restored throughout, and includes a printed inner sleeve. Remastered from the original tape transfers by Simon Francis, it’s been pressed at 180g for the first time.

    TRACKLISTING

    1. Boiadeiro
    2. Santa Clara
    3. Que Pena
    4. Que Maravilha
    5. Dia de Indio 
    6. Tajmahal 
    7. Zazuera
    8. Ive Brussel  Erhältlich ab 30.11.2018 Getaggt mit:
  • Thalia Zedek Band – Fighting Season (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1620557 Thalia Zedek’s 4th album, Fighting Season, is a direct, raw, and scorching
    rock album. The album features performances by guitarists and friends J.
    Mascis (Dinosaur Jr.) and Chris Brokaw ( Come ). The album was recorded
    in Zedek’s home of Boston at Kimchee Records Studio by Andy Hong.
    Thalia’s song writing and performance are the best she has ever laid down.
    The masterful Fighting Season features musicians she has worked with since
    2015, including longtime collaborator and violist Dave Curry, pianist Mel
    Lederman, bassist Winston Braman, and drummer Jonathan Ulman.
    “Fighting Season”, a term originally coined for the period of time in
    Afghanistan when winter comes to an end and fghting resumes, is
    reinterpreted by Zedek with a the focus on a rebirth of resistance brought
    on by the deteriorating U.S, political landscape.
    Zedek deftly combines the force of her playing, with an urgency of vocals
    to spin tales of discord and struggle from the personal to the political.
    The potency of her message re?ects her exceptional songwriting and
    playing. Thalia’s fervent passion as an artist and as a citizen gives Fighting
    Season is a compelling narrative set to a searing guitar lines and beautiful
    arrangements.. Turn it up and Fight Back.

    TRACK LISTING:
    1. Bend Again
    2. What I Wanted
    3. Fighting Season
    4. Of The Unknown
    5. Ladder
    6. War Not Won
    7. The Lines
    8. We Will Roll
    9. Tower

    SALES POINTS
    Fighting Season features performances by old friends
    Chris Brokaw (Come) and J. Mascis (Dinosaur Jr.)
    LP version pressed on virgin vinyl and packaged with
    artworked inner sleeve and free download coupon.

    Zedek toured across Europe with her band, E, earlier this
    spring and will tour extensively in October 2018, right
    after the release of Fighting Season
    Zedek has received Song of the Day on KEXP, album of
    the day on Bandcamp, as well as write-ups from Pitchfork,
    Magnet, The Quietus, MOJO, Premier Guitar amongst
    others.
    Thalia Zedek has been a been a seminal fgure in the
    independent music scene for over 30 years as a member
    of Come, Live Skull, and Uzi.
    “Through Live Skull, through Come, Zedek’s guitar always
    bore weight—you could feel the whole 20th century
    catastrophe bearing down on it. That weight is still there,
    as through a long instrumental introduction—enveloping,
    full of confdence, elegiac—you fnd yourself at a funeral
    for someone you’ve never met.” - Greil Marcus (Pitchfork)
    ‘She has always found a way not just to write some of the
    most beautiful riffs and songs in all music but crucially to
    map out a territory in songwriting that’s almost entirely
    her own” - The Quietus
    CD version packaged in mini-LP style envelope. Erhältlich ab 21.09.2018 Getaggt mit:
  • Thalia Zedek Band – Fighting Season (Ltd. Colored LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1620558 Thalia Zedek’s 4th album, Fighting Season, is a direct, raw, and scorching
    rock album. The album features performances by guitarists and friends J.
    Mascis (Dinosaur Jr.) and Chris Brokaw ( Come ). The album was recorded
    in Zedek’s home of Boston at Kimchee Records Studio by Andy Hong.
    Thalia’s song writing and performance are the best she has ever laid down.
    The masterful Fighting Season features musicians she has worked with since
    2015, including longtime collaborator and violist Dave Curry, pianist Mel
    Lederman, bassist Winston Braman, and drummer Jonathan Ulman.
    “Fighting Season”, a term originally coined for the period of time in
    Afghanistan when winter comes to an end and fghting resumes, is
    reinterpreted by Zedek with a the focus on a rebirth of resistance brought
    on by the deteriorating U.S, political landscape.
    Zedek deftly combines the force of her playing, with an urgency of vocals
    to spin tales of discord and struggle from the personal to the political.
    The potency of her message re?ects her exceptional songwriting and
    playing. Thalia’s fervent passion as an artist and as a citizen gives Fighting
    Season is a compelling narrative set to a searing guitar lines and beautiful
    arrangements.. Turn it up and Fight Back.

    TRACK LISTING:
    1. Bend Again
    2. What I Wanted
    3. Fighting Season
    4. Of The Unknown
    5. Ladder
    6. War Not Won
    7. The Lines
    8. We Will Roll
    9. Tower

    SALES POINTS
    Fighting Season features performances by old friends
    Chris Brokaw (Come) and J. Mascis (Dinosaur Jr.)
    LP version pressed on virgin vinyl and packaged with
    artworked inner sleeve and free download coupon.

    Zedek toured across Europe with her band, E, earlier this
    spring and will tour extensively in October 2018, right
    after the release of Fighting Season
    Zedek has received Song of the Day on KEXP, album of
    the day on Bandcamp, as well as write-ups from Pitchfork,
    Magnet, The Quietus, MOJO, Premier Guitar amongst
    others.
    Thalia Zedek has been a been a seminal fgure in the
    independent music scene for over 30 years as a member
    of Come, Live Skull, and Uzi.
    “Through Live Skull, through Come, Zedek’s guitar always
    bore weight—you could feel the whole 20th century
    catastrophe bearing down on it. That weight is still there,
    as through a long instrumental introduction—enveloping,
    full of confdence, elegiac—you fnd yourself at a funeral
    for someone you’ve never met.” - Greil Marcus (Pitchfork)
    ‘She has always found a way not just to write some of the
    most beautiful riffs and songs in all music but crucially to
    map out a territory in songwriting that’s almost entirely
    her own” - The Quietus
    CD version packaged in mini-LP style envelope. Erhältlich ab 21.09.2018 Getaggt mit:
  • The Molochs – Flowers In The Spring (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1620026 First, let’s meet back up with the Molochs—you remember them, right? Their America’s
    Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
    rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
    who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
    himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
    After Glory showed the world who they were, they needed to make an album that showed
    what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
    harder and fought harder to be the kind of band that the times demand: “I like to think the
    world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
    simple. It’s not easy … but it’s simple.”
    America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
    their first-ever U.S and European tours, first-ever festival sets, first-ever international press
    and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
    year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
    studio between December of 2017 and January of 2018, where Fitzsimons and longtime
    band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
    of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
    transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
    of insight or rescued from almost-abandonment in discarded notebooks.
    As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
    of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
    it comes to things to read and listen to and learn from. On Flowers they’d refine and
    recombine their sound, working in that long tradition of poets who cover (or discover)
    themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
    precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
    Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
    In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
    different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
    charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
    the Clean did.
    Yes, they do have their first-ever string section here, and that could confuse some people.
    (“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
    that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
    just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
    Love and disgrace and life and death blur and bleed into each other, but at the core of
    Flowers is a story about standing against the inhuman by being more human, however
    messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
    that “determination by a whole / to destroy the human soul.” Funny how that comes in a
    song where he claims he can’t explain everything that happens to him, because he sort of
    just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
    against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
    songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
    what he needed to do, he says, because that’s what felt most true. Maybe it really was that
    simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
    something I wanna say to you.”

    For fans of Violent Femmes, Modern Lovers, The Byrds, The Vaselines, Mac Demarco, The Velvet Underground, Kurt Vile

    1LP Standard Jacket w/ Printed Inner Sleeve + Insert + Download Card

    DISC 1
    1. To Kick in a Lover’s Door
    2. I Wanna Say To You
    3. A Little Glimpse of Death
    4. Shadow of a Girl
    5. Flowers in the Spring
    6. Pages of your Journal
    7. First Time I Saw You
    8. And She’s Sleeping Now
    9. Too Lost in Love
    10. Wade in the Water
    11. (She Glows)
    12. All the Things That Happen to Me Erhältlich ab 07.09.2018

    Getaggt mit:
  • The Molochs – Flowers In The Spring (Tape)

    Sektion: Musik, Neue Releases

    Image: 1620028 First, let’s meet back up with the Molochs—you remember them, right? Their America’s
    Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
    rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
    who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
    himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
    After Glory showed the world who they were, they needed to make an album that showed
    what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
    harder and fought harder to be the kind of band that the times demand: “I like to think the
    world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
    simple. It’s not easy … but it’s simple.”
    America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
    their first-ever U.S and European tours, first-ever festival sets, first-ever international press
    and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
    year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
    studio between December of 2017 and January of 2018, where Fitzsimons and longtime
    band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
    of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
    transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
    of insight or rescued from almost-abandonment in discarded notebooks.
    As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
    of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
    it comes to things to read and listen to and learn from. On Flowers they’d refine and
    recombine their sound, working in that long tradition of poets who cover (or discover)
    themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
    precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
    Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
    In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
    different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
    charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
    the Clean did.
    Yes, they do have their first-ever string section here, and that could confuse some people.
    (“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
    that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
    just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
    Love and disgrace and life and death blur and bleed into each other, but at the core of
    Flowers is a story about standing against the inhuman by being more human, however
    messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
    that “determination by a whole / to destroy the human soul.” Funny how that comes in a
    song where he claims he can’t explain everything that happens to him, because he sort of
    just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
    against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
    songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
    what he needed to do, he says, because that’s what felt most true. Maybe it really was that
    simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
    something I wanna say to you.”

    For fans of Violent Femmes, Modern Lovers, The Byrds, The Vaselines, Mac Demarco, The Velvet Underground, Kurt Vile

    DISC 1
    1. To Kick in a Lover’s Door
    2. I Wanna Say To You
    3. A Little Glimpse of Death
    4. Shadow of a Girl
    5. Flowers in the Spring
    6. Pages of your Journal
    7. First Time I Saw You
    8. And She’s Sleeping Now
    9. Too Lost in Love
    10. Wade in the Water
    11. (She Glows)
    12. All the Things That Happen to Me Erhältlich ab 07.09.2018

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  • The Levellers – We The Collective (On The Fiddle)

    Sektion: Highlights

    The LevellersAnlässlich ihres 30-jährigen Jubiläums haben sich The Levellers etwas ganz besonderes überlegt: Mit “We The Collective” erscheint ein Akustik-Album, bestehend aus acht bekannten Singles und zwei ganz neuen Titeln der Band. Mit einem Streicherensemble und dem legendären Produzenten John Leckie, der auch schon mit Radiohead und The Stone Ross zusammenarbeite, nahmen sie das Album im weltberühmten Kompletter Artikel →

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  • The Levellers – We The Collective

    Sektion: Musik, Neue Releases

    Image: 1617127 Mit einem Streicherensemble und dem legendären Produzenten John Leckie, der auch schon mit Radiohead und The Stone Ross zusammenarbeite, nahmen sie das Album im weltberühmten Abbey Road Studio in London auf. “The different musicians, producer and the studio combined to make something really special”, findet Sänger Mark Chadwick. Zu den acht Akustik-Singles gehören The Levellers-Klassiker wie “Liberty”, “Hope Street” und “One Way”, die beiden neuen Songs sind “The Shame” und “Drug Bust McGee”. Die Deluxe-Doppel-CD enthält vier weitere Songs plus ein umfangreiches Foto-Booklet mit Aufnahmen aus den Abbey Road-Sessions. Erhältlich ab 30.03.2018

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  • The Levellers – We The Collective (Deluxe 2CD Edition)

    Sektion: Musik, Neue Releases

    Image: 1617128 Mit einem Streicherensemble und dem legendären Produzenten John Leckie, der auch schon mit Radiohead und The Stone Ross zusammenarbeite, nahmen sie das Album in den weltberühmten Abbey Road Studio in London auf. “The different musicians, producer and the studio combined to make something really special” findet Sänger Mark Chadwick. Zu den acht Akustik-Singles gehören The Levellers-Klassiker wie “Liberty”, “Hope Street” und “One Way”, die beiden neuen Songs sind “The Shame” und “Drug Bust McGee”. Die Deluxe-Doppel-CD enthält vier weitere Songs plus ein umfangreiches Foto-Booklet mit Aufnahmen aus den Abbey Road-Sessions. Erhältlich ab 30.03.2018

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  • The Skull Defects – The Skull Defects (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1617223 After thirteen years as one of the centerpieces of Sweden’s experimental
    rock scene The Skull Defekts return with their fnal, self-titled album.
    The Skull Defekts are known for merging the coarse vitality of punk with
    the ritualism of folk dances to create music that is addictive, wondrously
    discordant, and rooted in a belief in the overwhelming power of pure
    sound.
    Their fnal self-titled album is the band’s most composed effort to date
    and features new member Mariam Wallentin (Wildbirds & Peacedrums)
    joining core members Joachim Nordwall (founder of groundbreaking
    iDEAL Recordings), Daniel Fagge Fagerström (8 Days of Nothing), and
    Henrik Rylander (Union Carbide Productions).
    The members of The Skull Defekts are singular forces in the European
    experimental scene. Nordwall has frequently collaborated with
    acclaimed saxophonist Mats Gustafsson, including in his Fire! Orchestra,
    alongside Wallentin, who herself has collaborated with Swedish singer
    Lykke Li. In addition to The Skull Defekts, Nordwall and Rylander have
    worked together on numerous projects, including Orchestra Of Constant
    Distress, and Saturn And The Sun. The Defekts have worked with a wide
    variety of labels, a testament to their creative energy and the diversity
    of their output, including Important, Meudiademorte, Diagonal, Aa,
    iDeal, Touch, and Kning Disk. Frequent collaborator and singular artist
    in his own right Daniel Higgs again created the album artwork.

    TRACK LISTING:
    1. A Brief History of Rhythm, Dub, Life and Death
    2. Clean Mind
    3. The Dance
    4. Slow Storm
    5. Powdered Faces
    6. All Thoughts Thought
    7. A Message From The Skull Defekts
    8. The Beauty of Creation and Destruction

    “A slice of the kind of relentlessly pounding, tribal
    doomrock” – Tiny Mix Tapes
    The Skull Defekts have operated as one of the centerpieces
    of Sweden’s experimental rock scene and have toured the
    world over the past decade
    Cover artwork by Daniel Higgs (Lungfsh)
    LP pressed on black virgin vinyl and presented in a tip-on
    jacket with printed inner sleeve and free download card.
    The inner sleeve features printing on the inside pocket and
    the back panel of the LP jacket is printed in FOUR different
    colors, randomly distributed
    Full online marketing campaign and playlist pitching
    The Skull Defekts will perform their last shows in 2018 with
    plans to tour in both Europe and the US
    “A primordial force, promising liberation through
    obliteration.” – The Quietus
    “Not many bands in recent memory have been able to
    combine noise and otherworldly sonics with the sweat and
    hot breath of punk rock. The Skull Defekts have mastered it,
    boiled it down and resurrected it. For the sake of humanity,
    here’s hoping it burrows its way into more ears.” – Paste
    “This band are masters of their craft”
    – The Line of Best Fit Erhältlich ab 09.03.2018

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  • Swedish Death Candy – Swedish Death Candy

    Sektion: Musik, Neue Releases

    Image: 1616142 You need this band, you need this video and you need this album in your life. Swedish Death Candy are psychedelic, yes, but not many bands can boast to be able to combine that with crunching heaviness, melodic power and mind-bending dynamics. They surpass their peers and they are about to prove this with the brand new video for ‘Last Dream’ and the announcement of their self-titled debut album due for release on 10th November. To celebrate the band will be taking their stunning live show on the road with a slew of live dates including a UK Tour through November.

    Lead single ‘Last Dream’ hooks you in with a tectonic drum fill before hitting you with a riff so huge it sets a bar you assume won’t be reached but is consistently surpassed throughout the song. The video has been constructed from publically available found footage from 1968-1978 and follows a Clockwork Orange-style narrative interpretation of a ‘Last Dream’, using startling imagery and editing techniques to disorientate as well as enthrall.

    Frontman Louis Perry describes: ‘The track is about trying to move on/move away from stuff that’s negative/toxic. But it’s also about the alluring nature of these things. It’s also about how time fades when you’re stuck in a particular mindset or relationship or state. Lastly, it’s obviously about dreams, recurring dreams, and dreams that remind you of the past. It’s not all negative though, it’s also about how these experiences can be fun in the moment’.

    Their eponymous debut album is full of abstract themes but keeps things rooted in the literal. Pulling influences from Black Sabbath to Queens of The Stone Age via Can and The Beatles to Oasis. These influences are pulled together by the expert craftsmanship at work throughout the album from the rockier opening edge of the first three tunes ‘Last Dream’, ‘Broken Engrams’ and ‘Love You Already’ then onto ‘Avalanche’ which lyrically is about saving people from an avalanche in the alps an experience singer Louie actually lived through but musically employs trippy synths and reverbed vocals to stunning effect to aurally capture the euphoria of the rescue. ‘When All is Gone’ is lead by a riff so powerful it could of been co-written by Jimmy Page and John Squire in a fantasy practice room in 1974 and cements the band’s songwriting chops in a long-form classical sense. After a brief respite, the band hurtle back into full riff mode with ‘Living Your Life Away’ and ‘Pearl’, utilising every tool on the pedal board to blow your mind.

    Finally, closing out the album is the longest and most ambitious track ‘Liquorice Parts 2 & 3’. Serving as a sequel to the band’s first EP Liquorice which ebbs and flows from beautiful soundscapes to crunching riffs.

    Singer Louis describes the song as, ‘About a character who wants to be the personification of the sun, because everyone loves the sun. The second verse is about their journey to becoming powerful like the sun and the choices they’ll make along the way. Pt. III is said character being granted his wish, becoming the sun and going insane with the power and destroying the world.’ A fitting way to close out an album based on the concept of turning a negative experience into a positive one and the cyclical nature of that cycle.

    So do you take the red pill and go further down the rabbit hole with us or do you take the bill pill and stay in reality with them? We would heavily suggest the former and come into the world of Swedish Death Candy, you won’t be disappointed.

    members:
    Louis Perry – Vocals / Guitar
    Francesco Codardo – Guitar / Backing Vocals
    Jiwoon Whang – Bass Guitar / Backing Vocals
    Marco Ninni – Drums

    1. Last Dream
    2. Broken Engrams
    3. Love You Already
    4. Avalanche
    5. When All Is Gone
    6. Living Your Life Away
    7. Pearl
    8. Liquorice (Parts II & III) Erhältlich ab 22.12.2017

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  • Nosaj Thing – Parallels (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1610528 Parallels is the fourth full album released under Jason Chung’s distinctive moniker, Nosaj
    Thing. Masterfully dimensional, Parallels represents the acclaimed Los Angeles-based
    electronic producer/composer/performer’s most diverse, vital work yet. As such, Chung
    sees Parallels represents a kind of redemptive rebirth. The album’s compellingly elusive,
    uncategorizable sonics developed out of what he terms a personal & musical “identity crisis.”
    According to Chung, working with a group of collaborators on Parallels that combined both
    longtime friends and new creative partners added “new energy which pushed me not to limit
    myself. Everything felt fresh and alive.”
    Chung is known specifically for his innovative, unexpected musical pairings: Kid Cudi hit up
    on Nosaj Thing via his MySpace page in 2006, resulting in Chung producing Cudi’s
    autobiographical classic “The Man on the Moon.” Kendrick Lamar flowed over Nosaj’s
    ethereal boom bap to create the YouTube gem “Cloud 10”, Chance the Rapper, meanwhile,
    freaked a Nosaj beat for his 2013 breakout masterpiece “Paranoia” and appeared on Nosaj
    Thing’s previous LP, 2015’s Fated. Chung and Blonde Redhead vocalist Kazu Makino are also
    longtime creative partners on each other’s work, her voice appears on Parallels as an
    otherworldly spirit animating the icily ‘80s-synthetic “How We Do.”

    Custom inner sleeve + download card

    Tracklist
    1. Nowhere
    2. All Points Back To U (feat. Steve Spacek)
    3. Form
    4. How We Do (feat. Kazu Makino)
    5. U G
    6. Get Like
    7. TM
    8. Way We Were (feat. Zuri Marley)
    9. IGYC
    10. Sister

    Quotes:
    LA Weekly: “serves as a study in simplicity, and an antidote to the anxieties of a high-tech,
    hyperspeed life.”

    Hypebeast: “[Nosaj Thing is] a progressive, genre-clashing and boundary-breaking
    producer. “

    Pitchfork: “one of the L.A. beat scene’s preeminent modern minimalists.”
    Consequence Of Sound: “Chung has a fluid, strong control of the vibe. Erhältlich ab 08.09.2017

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  • Aseethe – Hopes Of Failure (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1607842 Aseethe’s unrelenting slow-doom is often compared to drone music because
    of its core repetitions. This distinctly non-metal approach combined with
    harsh vocals and unusual samples gives Aseethe a unique voice among
    metal’s boundary pushers. On Hopes of Failure, the Iowa band’s primary
    in?uences of doom and drone share a similar ethos, but rarely do they
    converge with as much restraint, and patience, drawing on inventive sound
    sources and distorted, just enough, to add some sludge. Aseethe is the
    direction that heavy music is moving in.
    Aseethe guitarist/vocalist Brian Barr initially started Aseethe as a solo
    project to explore a more doom-oriented sound. Barr was soon joined by
    Eric Diercks on drums and samples, who brought to the project a love of
    new music and ability to provide rhythmic complexity to Aseethe’s steady,
    dark march. The current trio was formed when Brian’s brother Danny Barr
    joined on bass and vocals.
    Aseethe’s self-released albums, with the exception of their 12” limited
    edition of Barn Owl covers (only 100 copies made) that extracted a
    Barn Owl riff into a side long piece, have been largely noise-in?uenced
    soundscapes. Hopes of Failure strips away much of those elements into the
    bare essentials focused on methodical, and crushing music by devoting
    all attention to creating mammoth-sized riffs. The meditative component
    of Aseethe’s sound remains driven by an inward focus, a stare down the
    caverns of depression. Lyrically Brian and Danny contemplate the steady,
    exponential decay of modern society. The juxtaposition of these re?ections
    are best articulated in closing track “Into the Sun,” which also features the
    rare appearance of melodic vocals:
    “Reach further for hopes of failure
    Your body is breaking down
    Build further the bridge we need”
    Since the band’s inception, Aseethe has been dedicated to pushing the
    boundaries of what it means to be a heavy band. Their pummeling and
    extended pieces are as enveloping as a drive through the Iowa cornfelds of
    their home. Their drone in?uence and the dark lenses through which they
    view the world are a con?uence of ingredients that are at once deliberate,
    devastating and exhilarating

    TRACK LISTING:
    1. Sever the Head (11:22)
    2. Towers of Dust (8:33)
    3. Barren Soil (9:03)
    4. Into The Sun (13:54)

    SALES POINTS
    Hopes of Failure is the unrelenting, mammoth-riffed
    Thrill Jockey debut from crushing doom trio Aseethe
    Aseethe, while up to now a secret to the larger
    music world, has long been a favorite of inventive
    heavy artists. They have played regionally with Yob,
    Converge, The Body, SUMAC, Thou, Horseback, and
    Inter Arma with appearances at Midnite Communion
    Festival and Gilead Festival
    Aseethe have just wrapped up a national tour with Hell
    and Fister
    Aseethe recently signed with Hexagram Booking
    (Wolves in the Throne Room, Bell Witch, Thou) and
    are planning extensive touring throughout 2017
    LP pressed on virgin vinyl, packaged in jacket with
    ?ooded black pocket, black paper inner sleeve,
    and free download coupon. A limited supply will be
    pressed on grey vinyl. CD version in 4 panel mini-LP
    style gatefold package
    A limited cassette edition of the album was made for
    the band’s recent tour and sold out within a week
    “The blistering abyss of their music only comes to a
    stand when the unearthly voices come in to signal the
    impending doom” – CVLT Nation
    Tour trailer and album trailer by Chariot of Black Moth
    fully serviced Erhältlich ab 24.02.2017

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