Suche nach “DIFFERENT SPRING” — 6 Treffer

  • Fritz Kalkbrenner – Drown (Different Spring)

    Sektion: Highlights

    Fritz KalkbrennerMit seinem fünften Album setzt Fritz Kalkbrenner einen Schnitt. Zum ersten Mal kommt ein Album von ihm ohne seine Stimme aus. Er macht sich frei vom Song-Ansatz, mit dem er bekannt wurde und schwelgt in der klangverliebten House Music, die er als junger Mann in der Club-Szene Berlins entdeckte. Mit Hitsingles wie “Get A Life”, “Back Home” und “Sky And Sand” (mit seinem Bruder Paul) hat Fritz Kalkbrenner in den letzten Jahren unser modernes Kompletter Artikel →

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  • The Molochs – Flowers In The Spring (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1620026 First, let’s meet back up with the Molochs—you remember them, right? Their America’s
    Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
    rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
    who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
    himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
    After Glory showed the world who they were, they needed to make an album that showed
    what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
    harder and fought harder to be the kind of band that the times demand: “I like to think the
    world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
    simple. It’s not easy … but it’s simple.”
    America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
    their first-ever U.S and European tours, first-ever festival sets, first-ever international press
    and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
    year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
    studio between December of 2017 and January of 2018, where Fitzsimons and longtime
    band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
    of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
    transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
    of insight or rescued from almost-abandonment in discarded notebooks.
    As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
    of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
    it comes to things to read and listen to and learn from. On Flowers they’d refine and
    recombine their sound, working in that long tradition of poets who cover (or discover)
    themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
    precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
    Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
    In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
    different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
    charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
    the Clean did.
    Yes, they do have their first-ever string section here, and that could confuse some people.
    (“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
    that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
    just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
    Love and disgrace and life and death blur and bleed into each other, but at the core of
    Flowers is a story about standing against the inhuman by being more human, however
    messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
    that “determination by a whole / to destroy the human soul.” Funny how that comes in a
    song where he claims he can’t explain everything that happens to him, because he sort of
    just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
    against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
    songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
    what he needed to do, he says, because that’s what felt most true. Maybe it really was that
    simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
    something I wanna say to you.”

    For fans of Violent Femmes, Modern Lovers, The Byrds, The Vaselines, Mac Demarco, The Velvet Underground, Kurt Vile

    1LP Standard Jacket w/ Printed Inner Sleeve + Insert + Download Card

    DISC 1
    1. To Kick in a Lover’s Door
    2. I Wanna Say To You
    3. A Little Glimpse of Death
    4. Shadow of a Girl
    5. Flowers in the Spring
    6. Pages of your Journal
    7. First Time I Saw You
    8. And She’s Sleeping Now
    9. Too Lost in Love
    10. Wade in the Water
    11. (She Glows)
    12. All the Things That Happen to Me Erhältlich ab 07.09.2018

    Getaggt mit:
  • The Molochs – Flowers In The Spring (Tape)

    Sektion: Musik, Neue Releases

    Image: 1620028 First, let’s meet back up with the Molochs—you remember them, right? Their America’s
    Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
    rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
    who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
    himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
    After Glory showed the world who they were, they needed to make an album that showed
    what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
    harder and fought harder to be the kind of band that the times demand: “I like to think the
    world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
    simple. It’s not easy … but it’s simple.”
    America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
    their first-ever U.S and European tours, first-ever festival sets, first-ever international press
    and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
    year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
    studio between December of 2017 and January of 2018, where Fitzsimons and longtime
    band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
    of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
    transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
    of insight or rescued from almost-abandonment in discarded notebooks.
    As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
    of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
    it comes to things to read and listen to and learn from. On Flowers they’d refine and
    recombine their sound, working in that long tradition of poets who cover (or discover)
    themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
    precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
    Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
    In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
    different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
    charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
    the Clean did.
    Yes, they do have their first-ever string section here, and that could confuse some people.
    (“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
    that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
    just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
    Love and disgrace and life and death blur and bleed into each other, but at the core of
    Flowers is a story about standing against the inhuman by being more human, however
    messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
    that “determination by a whole / to destroy the human soul.” Funny how that comes in a
    song where he claims he can’t explain everything that happens to him, because he sort of
    just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
    against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
    songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
    what he needed to do, he says, because that’s what felt most true. Maybe it really was that
    simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
    something I wanna say to you.”

    For fans of Violent Femmes, Modern Lovers, The Byrds, The Vaselines, Mac Demarco, The Velvet Underground, Kurt Vile

    DISC 1
    1. To Kick in a Lover’s Door
    2. I Wanna Say To You
    3. A Little Glimpse of Death
    4. Shadow of a Girl
    5. Flowers in the Spring
    6. Pages of your Journal
    7. First Time I Saw You
    8. And She’s Sleeping Now
    9. Too Lost in Love
    10. Wade in the Water
    11. (She Glows)
    12. All the Things That Happen to Me Erhältlich ab 07.09.2018

    Getaggt mit:
  • Fritz Kalkbrenner veröffentlicht sein fünftes Album mit dem Titel “Drown”

    Sektion: News

    Fritz KalkbrennerMit seinem fünften Album setzt Fritz Kalkbrenner einen Schnitt. Zum ersten Mal kommt ein Album von ihm ohne seine Stimme aus. Er macht sich frei vom Song-Ansatz, mit dem er bekannt wurde und schwelgt in der klangverliebten House Music, die er als junger Mann in der Club-Szene Berlins entdeckte. Mit Hitsingles wie “Get A Life”, “Back Home” und Kompletter Artikel →

    Getaggt mit: , ,
  • Wooden Shjips – V. (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1618415 Wooden Shjips, long-time leaders of the contemporary psychedelic
    movement, expand their sound with V. On their ffth album the quartet
    of Ripley Johnson (Moon Duo), Omar Ahsanuddin, Dusty Jermier,
    and Nash Whalen augment their already rich sound with laid back,
    classic summer songs. Inspired by the tumult of the modern world,
    and the desire to offer a contrasting vision of peace, the band has
    created a record that flters their trademark hypnotic grooves through
    an optimistic lens, resulting in music that is bright and vital.
    Each song shimmers with a distinctly Wooden Shjips sound, a relaxed
    summer vibe. This was a conscious choice, an atmospheric goal that
    in?uenced nearly every detail: the tones, the delay types and reverbs
    used, as well as the synthesizer elements that color the songs.
    The band’s members collectively share a love of classic rock from
    the Velvet Underground to Neil Young, as well as more overt love
    of the San Francisco scene of the 60’s. This commonality in their
    formative musical years binds them even as they live in different
    cities. Wooden Shjips has with V. created the most concise, laid
    back songs of their career. Their music is a balm of sorts, a respite
    from the insanity that, through its regenerative abilities, empowers
    continued, calm resistance. A reminder of the simple power of peace
    and beauty, V. is brimming with optimism and a peaceful energy,
    aptly timed for release at the height of spring.

    TRACK LISTING:
    1. Eclipse
    2. In The Fall
    3. Red Line
    4. Already Gone
    5. Staring At The Sun
    6. Golden Flower
    7. Ride On

    SALES POINTS
    On their higly anticipated ffth album Wooden Shjips
    augment their already rich sound with laid back,
    classic summer songs
    Wooden Shjips have clearly cemented themselves as
    leaders of the contemporary psychedlic movement
    and have remained consistent top-sellers
    Lead single “Staring At The Sun” quickly hit 200K
    streams and has been played extensively on both
    BBC6 and KEXP as well as being selected for Mojo and
    Uncut’s playlists
    The band will tour extensively in support
    V. was recorded at Type Foundry by Jason Powers (The
    Decemberists, Moon Duo, Scout Niblett) and mixed by
    Cooper Crain (Cave, Bitchin Bajas, Circuit des Yeux)
    LP version packaged with full color artworked inner
    sleeve and free download card. White color vinyl is
    limited edition and exclusive to indie stores in Europe
    CD version in four panel mini-LP style gatefold package
    “More than just a career high-water mark for the band,
    it stands proud within the feld of psychedelic music.”
    – The Quietus on Back To Land
    “Back To Land is also centered and relaxed and open,
    almost pastoral. It’s music conceived for interior
    spaces but in?uenced by open-air ones.”
    – The New York Times on Back To Land Erhältlich ab 25.05.2018

    Getaggt mit:
  • Wooden Shjips – V. (Ltd. White Color LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1618416 Wooden Shjips, long-time leaders of the contemporary psychedelic
    movement, expand their sound with V. On their ffth album the quartet
    of Ripley Johnson (Moon Duo), Omar Ahsanuddin, Dusty Jermier,
    and Nash Whalen augment their already rich sound with laid back,
    classic summer songs. Inspired by the tumult of the modern world,
    and the desire to offer a contrasting vision of peace, the band has
    created a record that flters their trademark hypnotic grooves through
    an optimistic lens, resulting in music that is bright and vital.
    Each song shimmers with a distinctly Wooden Shjips sound, a relaxed
    summer vibe. This was a conscious choice, an atmospheric goal that
    in?uenced nearly every detail: the tones, the delay types and reverbs
    used, as well as the synthesizer elements that color the songs.
    The band’s members collectively share a love of classic rock from
    the Velvet Underground to Neil Young, as well as more overt love
    of the San Francisco scene of the 60’s. This commonality in their
    formative musical years binds them even as they live in different
    cities. Wooden Shjips has with V. created the most concise, laid
    back songs of their career. Their music is a balm of sorts, a respite
    from the insanity that, through its regenerative abilities, empowers
    continued, calm resistance. A reminder of the simple power of peace
    and beauty, V. is brimming with optimism and a peaceful energy,
    aptly timed for release at the height of spring.

    TRACK LISTING:
    1. Eclipse
    2. In The Fall
    3. Red Line
    4. Already Gone
    5. Staring At The Sun
    6. Golden Flower
    7. Ride On

    SALES POINTS
    On their higly anticipated ffth album Wooden Shjips
    augment their already rich sound with laid back,
    classic summer songs
    Wooden Shjips have clearly cemented themselves as
    leaders of the contemporary psychedlic movement
    and have remained consistent top-sellers
    Lead single “Staring At The Sun” quickly hit 200K
    streams and has been played extensively on both
    BBC6 and KEXP as well as being selected for Mojo and
    Uncut’s playlists
    The band will tour extensively in support
    V. was recorded at Type Foundry by Jason Powers (The
    Decemberists, Moon Duo, Scout Niblett) and mixed by
    Cooper Crain (Cave, Bitchin Bajas, Circuit des Yeux)
    LP version packaged with full color artworked inner
    sleeve and free download card. White color vinyl is
    limited edition and exclusive to indie stores in Europe
    CD version in four panel mini-LP style gatefold package
    “More than just a career high-water mark for the band,
    it stands proud within the feld of psychedelic music.”
    – The Quietus on Back To Land
    “Back To Land is also centered and relaxed and open,
    almost pastoral. It’s music conceived for interior
    spaces but in?uenced by open-air ones.”
    – The New York Times on Back To Land Erhältlich ab 25.05.2018

    Getaggt mit:

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