Suche nach “JAZZ LIFE” — 22 Treffer

  • Davy Graham – Large As Life And Twice As Natural

    Sektion: Musik, Neue Releases

    Image: 1616219 Davy Graham ist einer der besten englischen Gitarristen, und er hat u.a. Bert Jansch, Paul Simon, John Martyn als auch Jimmy Page maßgeblich beeinflusst. Davy Graham entzieht sich musikalischen Genres und ist sowohl im Blues, Folk als auch im Jazz zu Hause. “Large As Life …” erschien 1965 im Original und die vorliegende CD als auch Vinyl werden nun nach Jahren wieder aufgelegt und erscheinen mit Liner Notes des renommierten Autoren David Fricke (Rolling Stone). Erhältlich ab 26.01.2018

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  • Harlem River Drive – Idle Hands/Seeds Of Life

    Sektion: Musik, Neue Releases

    Image: 1608461 7″ Release mit zwei Tracks aus dem selbstbetitelten Harlem River Drive Debütalbum (1971) um die Brüder Eddie und Charlie Palmieri, zweier Giganten der Latin-Jazz-Fusion. “Seeds Of Life” erscheint erstmals in voller Albumlänge auf 7″ Vinyl. Erhältlich ab 24.02.2017

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  • David August – D’ANGELO (PIAS Recordings)

    Sektion: Highlights

    David AugustDer deutsch-italienische Produzent und Komponist David August veröffentlicht sein Album “D’ANGELO” auf [PIAS] Recordings. Für “D’ANGELO” setzt sich der aus Hamburg stammende und mittlerweile in Berlin lebende David August intensiv mit seinen Wurzeln auseinander, erkundet neue Landschaften und holt sich Inspiration beispielsweise von den Arbeiten des Barockmalers Kompletter Artikel →

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  • Running Back Presents: Various Artists – FRONT MIXED By Klaus Stockhausen & Boris Dlugosch (Running Back)

    Sektion: Highlights

    FRONT MIXED By Klaus Stockhausen & Boris DlugoschDer legendäre Hamburger FRONT-Club bekommt mit dieser Mix-Compilation der beiden ehemaligen Resident-DJs Klaus Stockhausen und Boris Dlugosch ein würdiges Denkmal gesetzt! Hamburgs FRONT war seit Mitte der 1980er bis in die späten 1990er hinein House- und Kompletter Artikel →

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  • Darwin Deez – 10 Songs That Happened When You Left Me With My Stupid Heart (Lucky Number)

    Sektion: Highlights

    Darwin DeezDer in New York lebende Songwriter Darwin Deez kündigt sein viertes Album an, welches den ausufernden Titel “10 Songs That Happened When You Left Me With My Stupid Heart” trägt. Im Kern seines neuen Albums steht Deez’ einzigartiges Songwriting. Als Autodidakt ist er als Künstler immer wieder überaus Kompletter Artikel →

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  • The Molochs – Flowers In The Spring (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1620026 First, let’s meet back up with the Molochs—you remember them, right? Their America’s
    Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
    rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
    who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
    himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
    After Glory showed the world who they were, they needed to make an album that showed
    what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
    harder and fought harder to be the kind of band that the times demand: “I like to think the
    world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
    simple. It’s not easy … but it’s simple.”
    America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
    their first-ever U.S and European tours, first-ever festival sets, first-ever international press
    and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
    year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
    studio between December of 2017 and January of 2018, where Fitzsimons and longtime
    band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
    of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
    transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
    of insight or rescued from almost-abandonment in discarded notebooks.
    As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
    of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
    it comes to things to read and listen to and learn from. On Flowers they’d refine and
    recombine their sound, working in that long tradition of poets who cover (or discover)
    themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
    precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
    Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
    In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
    different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
    charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
    the Clean did.
    Yes, they do have their first-ever string section here, and that could confuse some people.
    (“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
    that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
    just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
    Love and disgrace and life and death blur and bleed into each other, but at the core of
    Flowers is a story about standing against the inhuman by being more human, however
    messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
    that “determination by a whole / to destroy the human soul.” Funny how that comes in a
    song where he claims he can’t explain everything that happens to him, because he sort of
    just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
    against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
    songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
    what he needed to do, he says, because that’s what felt most true. Maybe it really was that
    simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
    something I wanna say to you.”

    For fans of Violent Femmes, Modern Lovers, The Byrds, The Vaselines, Mac Demarco, The Velvet Underground, Kurt Vile

    1LP Standard Jacket w/ Printed Inner Sleeve + Insert + Download Card

    DISC 1
    1. To Kick in a Lover’s Door
    2. I Wanna Say To You
    3. A Little Glimpse of Death
    4. Shadow of a Girl
    5. Flowers in the Spring
    6. Pages of your Journal
    7. First Time I Saw You
    8. And She’s Sleeping Now
    9. Too Lost in Love
    10. Wade in the Water
    11. (She Glows)
    12. All the Things That Happen to Me Erhältlich ab 07.09.2018

    Getaggt mit:
  • The Molochs – Flowers In The Spring (Tape)

    Sektion: Musik, Neue Releases

    Image: 1620028 First, let’s meet back up with the Molochs—you remember them, right? Their America’s
    Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
    rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
    who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
    himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
    After Glory showed the world who they were, they needed to make an album that showed
    what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
    harder and fought harder to be the kind of band that the times demand: “I like to think the
    world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
    simple. It’s not easy … but it’s simple.”
    America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
    their first-ever U.S and European tours, first-ever festival sets, first-ever international press
    and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
    year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
    studio between December of 2017 and January of 2018, where Fitzsimons and longtime
    band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
    of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
    transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
    of insight or rescued from almost-abandonment in discarded notebooks.
    As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
    of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
    it comes to things to read and listen to and learn from. On Flowers they’d refine and
    recombine their sound, working in that long tradition of poets who cover (or discover)
    themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
    precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
    Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
    In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
    different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
    charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
    the Clean did.
    Yes, they do have their first-ever string section here, and that could confuse some people.
    (“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
    that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
    just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
    Love and disgrace and life and death blur and bleed into each other, but at the core of
    Flowers is a story about standing against the inhuman by being more human, however
    messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
    that “determination by a whole / to destroy the human soul.” Funny how that comes in a
    song where he claims he can’t explain everything that happens to him, because he sort of
    just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
    against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
    songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
    what he needed to do, he says, because that’s what felt most true. Maybe it really was that
    simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
    something I wanna say to you.”

    For fans of Violent Femmes, Modern Lovers, The Byrds, The Vaselines, Mac Demarco, The Velvet Underground, Kurt Vile

    DISC 1
    1. To Kick in a Lover’s Door
    2. I Wanna Say To You
    3. A Little Glimpse of Death
    4. Shadow of a Girl
    5. Flowers in the Spring
    6. Pages of your Journal
    7. First Time I Saw You
    8. And She’s Sleeping Now
    9. Too Lost in Love
    10. Wade in the Water
    11. (She Glows)
    12. All the Things That Happen to Me Erhältlich ab 07.09.2018

    Getaggt mit:
  • Darwin Deez – 10 Songs That Happened…

    Sektion: Musik, Neue Releases

    Image: 1619654 Im Kern seines neuen Albums steht Deez’ einzigartiges Songwriting. Als Autodidakt ist er als Künstler immer wieder überaus originell und dabei enorm eingängig. Im Gegensatz zur zeitgenössischem Musik voller fluffiger Reverbs und zuckersüßer Synthies, die Deez gerne witzelnd als “Spotify-Wave” bezeichnet, schreibt er immer noch spärlich arrangierte und verletzliche Gitarrenlieder mit verständlichen und nachvollziehbaren Texten. Die erste Single, und zugleich Album-Opener, “The World’s Best Kisser” ist inspiriert von den Harmonizern, die Jazzmusiker und Grammy-Gewinner Jacob Collier in seinen Life-Shows einsetzt. Erhältlich ab 31.08.2018

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  • Darwin Deez – 10 Songs That Happened… (Gatefold Black LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1619655 Im Kern seines neuen Albums steht Deez’ einzigartiges Songwriting. Als Autodidakt ist er als Künstler immer wieder überaus originell und dabei enorm eingängig. Im Gegensatz zur zeitgenössischem Musik voller fluffiger Reverbs und zuckersüßer Synthies, die Deez gerne witzelnd als “Spotify-Wave” bezeichnet, schreibt er immer noch spärlich arrangierte und verletzliche Gitarrenlieder mit verständlichen und nachvollziehbaren Texten. Die erste Single und Album Opener “The World’s Best Kisser” ist inspiriert von den Harmonizern, die Jazzmusiker und Grammy-Gewinner Jacob Collier in seinen Life-Shows einsetzt. Erhältlich ab 31.08.2018

    Getaggt mit:
  • Darwin Deez – 10 Songs That Happened… (Gatefold White LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1619656 Im Kern seines neuen Albums steht Deez’ einzigartiges Songwriting. Als Autodidakt ist er als Künstler immer wieder überaus originell und dabei enorm eingängig. Im Gegensatz zur zeitgenössischem Musik voller fluffiger Reverbs und zuckersüßer Synthies, die Deez gerne witzelnd als “Spotify-Wave” bezeichnet, schreibt er immer noch spärlich arrangierte und verletzliche Gitarrenlieder mit verständlichen und nachvollziehbaren Texten. Die erste Single und Album Opener “The World’s Best Kisser” ist inspiriert von den Harmonizern, die Jazzmusiker und Grammy-Gewinner Jacob Collier in seinen Life-Shows einsetzt. Erhältlich ab 31.08.2018

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  • Marisa Anderson – Cloud Corner (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1618481 On her Thrill Jockey debut, acclaimed guitarist Marisa Anderson’s
    music is boundless. Anderson is undeniably a master of
    the North American traditions of country, folk, and blues on
    guitar. On Cloud Corner, Anderson expands on those styles as well
    as instrumentation. Written and recorded in a period of political
    and personal upheaval, the album is intended as a refuge, an ode
    to stillness in an era of ceaseless noise. The results are an album of
    remarkably intimate beauty.
    The solo guitar work of Marisa Anderson owes its familiar tones to
    her awareness of history and her mastering of her instrument, yet it
    is completely new. Marisa Anderson flters musical history through
    her own personal experiences, as a traveler in life and in music.
    A curious and gifted player, Anderson has spent over 35 years of
    performing forging her singular, instantly recognizable voice. Marisa
    Anderson’s Cloud Corner is hopeful in the face of any discord, a
    resplendent diverse sound sanctuary that shines, a mirror of the
    horizon it looks towards.
    “Marisa Anderson doesn’t just play guitar — she sinks into bends
    and lingers over melodies, knowing when to light a fre under her
    fngers and when to wind like a creek.” – NPR Music
    “The deft and vigilant way Portland-based guitarist Marisa Anderson
    has with a six-string garnered her some old-fashioned word-ofmouth. Anderson’s ingested both the country blues and bluegrass
    lexicon in such a way so as to voice something new.”
    – Rolling Stone
    “Her sound has strength in restless variety…Anderson’s playing is
    heartfelt and utterly American- free from grandstanding and steeped
    in respect for the old tradition.” – The Wire

    TRACK LISTING:
    1. Pulse
    2. Slow Ascent
    3. Angel’s Rest
    4. Cloud Corner
    5. Sanctuary
    6. Sun Song
    7. Lament
    8. Sant Feliu de Guíxols
    9. Surfacing
    10. Lift

    SALES POINTS
    Anderson has been praised by Billboard, Rolling
    Stone, NPR, SPIN, Pitchfork and The Wire. Billboard
    magazine named Into the Light one of the best records
    of 2016 and Pitchfork named Anderson’s 2015 split LP
    with Tashi Dorji one of the top experimental records
    of the year
    Anderson will be touring throughout 2018, including
    US dates this spring alongside Godspeed You! Black
    Emperor and Circuit des Yeux. Anderson will also be
    appearing at the Thousand Incarnations of the Rose
    Festival alongside labelmates Glenn Jones and Sarah
    Louise, as well as Portland’s Pickathon Festival
    NPR Music has featured Anderson on All Songs Considered, First Listen, and had her perform for their Tiny
    Desk concert series
    LP version pressed on virgin vinyl and packaged with a
    free download coupon
    Anderson has contributed to recordings by Beth Ditto
    (The Gossip), Sharon Van Etten and Circuit Des Yeux
    among others, as well as creating music for short flms
    and soundtracks
    Anderson has toured extensively including festival appearances at Le Guess Who, Moog Fest, Copenhagen
    Jazz Festival and the Winnipeg Folk Festival Erhältlich ab 15.06.2018

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  • Mary Epworth – Elytral (orangefarbenes Vinyl)

    Sektion: Musik, Neue Releases

    Image: 1608566 Das zweite Studioalbum von Mary Epworth ist der Nachfolger zu dem 2012 erschienenen Werk “Dream Life”. Dieses Mal von Thom Monahan (Devendra Banhart, Vetiver, Horse Thief) produziert, entstanden die Aufnahmen zu “Elytral” in den Golden Void Studios in Los Angeles. Mit dem neuen Album wagt Mary Epworth einige Experimente. Elektronische Klanglandschaften, Psychedelia und Free-Jazz sind nur einige der abenteuerlichen Zutaten, die auf “Elytral” wundersam harmonisch zusammenfinden. Die Songs, von ihrer glasklaren Stimme getragen, funktionieren aber auch wunderbar als melancholischer Indie-Elektro-Pop. Mary Epworth ist übrigens die Schwester von Musikproduzent Paul Epworth (Bloc Party, Adele, FKA Twigs, Lana Del Rey). Erhältlich ab 01.09.2017

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