Suche nach “SOUL HAS NO TEMPO” — 11 Treffer

  • Alan Parker & Madeline Bell – The Voice Of Soul

    Sektion: Musik, Neue Releases

    Image: 1621947 Der erfahrene Library Musiker Alan Parker nahm mit der Session-Sängerin Madeline Bell für sein Label The Themes International Music auf und das Ergebnis war 1976 The Voice of Soul. Der sensationelle Uptempo-Tänzer "That's What Friends Are For" ist wahrscheinlich der bekannteste Track auf der Platte und ein großer Hit in der seltenen Groove-Szene, aber es ist keineswegs eine Anomalie. The Voice of Soul ist im Wesentlichen ein perfektes, anspruchsvolles Soul-Album mit einer Menge Swagger und Sass von Anfang bis Ende. Der einst generisch klingende Titel ist nun zu Recht endgültig. Und die ganze LP versprüht Sex. Es versprüht Sex so sehr, dass es einen Pornofilm aus der Zeit hätte filmen können. In der Tat, Teile davon taten es. "Love Is All" und "You've Got What It Takes" waren beide auf den berüchtigten, verbotenen Pretty Peaches aus dem gleichen Jahr zu sehen. Wie bei Bibliotheksaufzeichnungen üblich, war The Voice of Soul selbst bei ihrer ersten Veröffentlichung schwer zu bekommen. Es ist jetzt fast unmöglich. Hier ist also Ihre Gelegenheit, eine der unserer Meinung nach besten seltenen Soul-LPs der späten 70er Jahre zu besitzen, und ein hervorragendes Beispiel für Madeline Bells hervorragende Gesangstalente.

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    TRACKLISTING
    1.Love Is All 2.Mr. Smooth Man 3.You've Got What It Takes 4.You're A Winner 5.Your Smile 6.Time Goes By 7.Move And Shake Your Body 8.Love Doctor 9.Soul Slap 10.Crumpet 11.That's What Friends Are For 12.Flying High

    Be With has worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship.

    Whether it’s killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century.

    These records were never readily available, being originally released as a ready-made, affordable alternative to commissioning music for television and radio. Consequentially the originals have been unobtainable for decades by all but the most dedicated collectors.

    The audio for all ten re-issues comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

    But we didn’t just get a bit giddy and find ourselves re-issuing classic work from Alan Parker, Alan Hawkshaw, Brian Bennett, Nick Ingman, James Clarke, Francis Coppieters, Keith Mansfield, David Snell and John Fiddy. In the middle of the project KPM also asked Be With to be responsible for the vinyl version of Full Circle, an entire LP of new material from Alan Hawkshaw and Brian Bennett. Who were we to refuse.

    So that makes eleven records in total, all released on the 16th of November, and available for pre-order ordering now... Erhältlich ab 23.11.2018 Getaggt mit:
  • Richard Spaven – The Self

    Sektion: Musik, Neue Releases

    Image: 1611253 Der Londoner Drummer (und Produzent) Richard Spaven schließt perfekt die Lücke zwischen Jazz und Clubkultur und wird regelmäßig von Größen wie José James, Gregory Porter, Guru’s Jazzmatazz, Flying Lotus, The Cinematic Orchestra oder TY engagiert. Auf seinem neuen Album für Soul Has No Tempo, “The Self”, arbeitet sich der Jazz-Drummer durch Clubstyles wie Drum & Bass, Broken Beat und Dubstep und lässt sich von R&B-Sänger Jordan Rakei, Metalheadz-MC Cleveland Watkiss, Electro-Jazzer Jameszoo, Jazz-Pianist Kris Bowers und Gitarrist Stuart McCallum begleiten. Ein Highlight ist dabei sicherlich sein Cover von Photeks “Hidden Camera”. Erhältlich ab 15.09.2017

    Getaggt mit:
  • The Moments – On Top

    Sektion: Musik, Neue Releases

    Image: 1622321 The Moments' "On Top" ist ein perfektes Beispiel für Symphonic Soul. Unter den Diggern gilt dies als das wertvollste aller ihrer Alben, eine Originalkopie dieser LP, wenn man sie findet, beginnt bei etwa 75 Dollar. Neben zeitgenössischen Acts aus den frühen 70er Jahren - The Chi-lites, The Stylistics, The Delfonics, The Futures, Blue Magic und The Main Ingredient - strahlten The Moments alles aus, was von einer tiefen, harmonisch durchdrungenen, streichelnden Seele überzeugt.

    Das Besondere hier ist zweifellos der Song "To You with Love", eine schwebende, zarte Ballade von Harry Ray, die die patentierte Handclap-Tamburin-Kombination der Gruppe, süße Streicher, ruhige Gitarren und ein sanftes Klavier enthält. Der Track wurde von J. Dilla für "Last Donut Of The Night" - das herzzerreißende Finale seiner bahnbrechenden Donuts - berühmt gesampelt.

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    The Moments’ On Top is a perfect example of symphonic soul. Amongst true heads, this is considered the most valuable of all their albums, an original copy of this LP, if you can find one, starts at around $75. Alongside contemporaneous acts from the early 70s - The Chi-lites, The Stylistics, The Delfonics, The Futures, Blue Magic and The Main Ingredient - The Moments exuded all that was compelling about deep, harmony-drenched, string-laden soul.

    The standout here is undoubtedly "To You with Love", a floating, tender ballad sung by Harry Ray that features the group’s patented handclap-tambourine combo, sweetly repetitive strings, serene guitar and gentle piano. It was famously sampled by J Dilla for “Last Donut Of The Night” - the gut-wrenching finale to his seminal Donuts. Concentrating solely on its sampled history would do The Moments a huge disservice, but its crucial appearance at the climax of Donuts directed fresh generations of pre-disposed soul fans to the absolute canon. Judged entirely on its merit, it’s one of the most heart-breaking songs of any decade and worth the price of admission alone. It’s the sweetest, most goose-bump inducing 3 minutes of aural bliss you’re ever likely to be exposed to. 

    If that wasn’t enough, On Top spawned two minor R&B hits: "All I Have" and "Lucky Me", each featuring Billy Brown's ice-melting falsetto. Opener “All I Have” is a sumptuous introduction to the album. With melancholic, understated guitar licks, twinkling keys and heartbeat drums, it’s a gem. The triumphant “Lucky Me” is simply gorgeous, all gentle chimes, swirling strings and, again, scarcely believable falsetto soaring atop proud horns.

    Also included are two singles that are different from anything the group had ever done, "I Can't Help It" and "That's How It Feels." The former features thundering kicks and crashing cymbals underneath floating flutes, progressively stabbing strings and horns. The yearning vocals embody an almost Temptations-like delivery at times. "That's How It Feels” is a two-parter wherein Brown's voice bestrides a bed of rhythms on a tune more aptly defined as a love suite than a song. Dripping in breakbeats, piano and strings, Brown describes the devastation of losing the one you love before the track brilliantly switches up with a sweeping string-led chorus and heavenly harmonies. 

    The only genuine uptempo number, where anomalous happiness reigns, is "Sweeter As The Days Go By," led by Brown in his natural, gospel-inspired tenor. A charming but sorrow-filled "I Lost One Bird In The Hand" is an impressive, slow lamenter crooned by Ray, with horns and strings dominating the lushly arranged backdrop. Appropriately, we end on that down-lifting note that we've all come for: "Candy Shack."

    The audio for On Top comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the memorable cover art, handling the reproduction duties with the utmost attention to detail.

    TRACKLISTING

    1. All I Have
    2. I Can't Help It
    3. To You With Love
    4. That's How It Feels
    5. Lucky Me
    6. I Lost One Bird In The Hand (While Reaching For Two In The Bush)
    7. Sweeter As The Day Goes By
    8. The Ice Is Melting
    9. Candy Shack Erhältlich ab 30.11.2018 Getaggt mit:
  • Larry Jon Wilson – Let Me Sing My Song To You

    Sektion: Musik, Neue Releases

    Image: 1622323 Larry Jon Wilson kam zu spät zur Party. Als er in Nashville ankam, hatte der Country-Soul-Pionier Tony Joe White bereits sechs Alben veröffentlicht. Townes Van Zandt hatte sieben, Mickey Newbury acht gemacht. Kristofferson, der akzeptierte Hohepriester des Neuen Nashville, hatte fünf gemacht. Er begann erst im Alter von 30 Jahren mit dem Gitarrespielen, aber fünf Jahre später veröffentlichte er sein Debüt, 'New Beginnings' (1975) und folgte ihm nur ein Jahr später mit 'Let Me Sing My Song To You', beide auf Monument Records. Eine Offenbarung unter den Hipstern und Kritikern von Nashville, die dafür sorgte, dass Larry Jon sofort als Teil der Mitte der 70er Jahre beginnenden "Outlaw Country Movement" aufgenommen wurde.

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    Larry Jon Wilson came to the party late. When he arrived in Nashville, country soul pioneer Tony Joe White had already made six albums. Townes Van Zandt had made seven, Mickey Newbury eight. Kristofferson, the accepted High Priest of the New Nashville, had made five. Larry Jon, by the time he arrived, had spent ten years in corporate America.

    He did not start playing guitar until the age of 30, but five years later he released his debut, New Beginnings (1975) and followed it just a year later with Let Me Sing My Song To You, both on Monument Records. A revelation among the hipsters and critics of Nashville, the LPs ensured Larry Jon was immediately embraced as part of the mid-70s “outlaw country movement” that eschewed slick production in favour of a raw, gritty approach. When a film crew came to document this burgeoning sound, they made straight for Larry Jon's door. The legendary Heartworn Highways (1981) featured his mesmerising performance of “Ohoopee River Bottomland”.

    He was a singer and writer of intensely private, painfully moving tales of southern life. With his deep, papa-bear voice, funky southern groove, and richly evocative narratives of rural Georgia, Larry Jon was a unique stylist but his gutsy, greasy sound did not translate into sales. Too funky for the country crowd, too heartfelt for pop radio, he fell between the cracks. We hope the long-overdue reissue of his first two albums will go some way to rectifying this. Indeed, both New Beginnings and Let Me Sing My Song to You - so similar they play like two halves of a double album – showcase his unique mix of country, folk, soul and swampy blues.

    New Beginnings failed to propel Larry Jon to even the relatively modest cult acclaim enjoyed by his likeminded contemporaries. And some of the frustration this conjured can be heard on 1976's Let Me Sing My Song To You. Both the title track and the self-deprecating “Drowning in the Mainstream” speak of Wilson’s hope to inch at least a few steps towards the big time without making too many compromises. Any album containing the likes of the heartfelt, deeply beautiful tribute of “Ballad of Handy Mackey” and the superlative country-gothic funk opus ‘Sheldon Churchyard’ – the lead track from the lauded Country Got Soul compilation - must rank as essential listening.

    The audio for Let Me Sing My Song To You comes from the original analogue tape transfers and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the striking cover art and we were honoured when Larry’s close friend Jeb Loy Nichols kindly agreed to contribute wonderfully unique liner notes, presented beautifully on the printed inner sleeve opposite a gorgeous black and white shot of Larry, mid-performance.

    REMASTERED FROM ORIGINAL TAPE TRANSFERS, CAREFULLY REPRODUCED ORIGINAL ART, STRICTLY LIMITED TO 500 COPIES WORLDWIDE – NO REPRESS

    “Larry Jon Wilson? He can break your heart with a voice like a cannonball.” - Kris Kristofferson.

    TRACKLISTING

    1. Drowning In The Mainstream
    2. Let Me Sing My Song To You
    3. Sheldon Churchyard
    4. I Remember It Well
    5. The Ballad Of Handy Mackey
    6. Think I Feel A Hitchhike Coming On
    7. Willoughby Grove
    8. Life Of A Good Man
    9. Kindred Spirit
    10. Farther Along
    Erhältlich ab 30.11.2018 Getaggt mit:
  • Alan Hawkshaw & Brian Bennett – Synthesizer And Percussion

    Sektion: Musik, Neue Releases

    Image: 1621949 Der Synthesizer und das Schlagzeug von 1974, der im selben Jahr wie Synthesis auf KPM veröffentlicht wurde, ist sein unverzichtbares Begleitstück. "Diese Platte enthält die vielen unverwechselbaren Sounds des ARP Synthesizers plus Percussion in verschiedenen Stimmungen und Tempi" ist die noch unterwältigendere als die übliche Plattenvermarktung für Alan Hawkshaw und Brian Bennetts zweite Sammlung von im Grunde minimalem G-Funk mit Obertönen eines primitiven Acid House. Das ist lächerlich gut. Dies ist einer der wilderen Gelenke und Äonen von Hawkshaw und Bennett seiner Zeit voraus. Bennetts harte Drums bilden die Grundlage für die markanten Bässe, Keyboards und sprudelnden Synths hoch oben im Mix, zusammen mit Hawkshaws gestörtem Clavinet-Funk-Rock. Es gibt viele himmlische Break-Loops. Opener "Mon Amour" ist ultra-smooth Funk, alle verflochtenen melodischen Linien, während das bahnbrechende "Oddball" ein unglaublich hartes Elektro-Federbein mit klopfendem Break ist. "Mile High Swinger" ist ein ruhiges Spaghetti Western Whistling Thema über Double Tempo rhythmische Bewegung und der pulsierende "Auto Pilot" hat einen perkussiven Groove, der durch E-Piano und Synthesizer erhöht wird. Überprüfen Sie "Driving Force", "Home Run" und "Pacesetter" auf elektroide Prog-Funk, die in Säure-Rauschgifte tropfen.

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    TRACKLISTING
    1.Mon Amour 2.Oddball 3.Daytripper 4.Mile High Swinger (Vers. A) 5.Mile High Swinger (Vers. B) 6.Auto-Pilot 7.Pacesetter 8.Home Run 9.Driving Force 10.Action Man 11.Funky Chicken 12.Jolly Roger 13.Dumbo 14.Plain Song 15.Fanfair

    Be With has worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship.

    Whether it’s killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century.

    These records were never readily available, being originally released as a ready-made, affordable alternative to commissioning music for television and radio. Consequentially the originals have been unobtainable for decades by all but the most dedicated collectors.

    The audio for all ten re-issues comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

    But we didn’t just get a bit giddy and find ourselves re-issuing classic work from Alan Parker, Alan Hawkshaw, Brian Bennett, Nick Ingman, James Clarke, Francis Coppieters, Keith Mansfield, David Snell and John Fiddy. In the middle of the project KPM also asked Be With to be responsible for the vinyl version of Full Circle, an entire LP of new material from Alan Hawkshaw and Brian Bennett. Who were we to refuse.

    So that makes eleven records in total, all released on the 16th of November, and available for pre-order ordering now... Erhältlich ab 23.11.2018 Getaggt mit:
  • Keith Mansfield & John Cameron – Voices In Harmony

    Sektion: Musik, Neue Releases

    Image: 1621935 Be With Records hat mit dem heiligen KPM zusammengearbeitet, um zehn ihrer Favoriten aus der gesamten KPM 1000 Serie und dem Themes International Music Katalog, der derzeit unter der Leitung von KPM steht, neu aufzulegen. Voices In Harmony wurde 1973 als "eine Auswahl zeitgenössischer Pop-Titel mit Stimmen, Bläsern und Rhythmus" veröffentlicht. Wir beschreiben diese Sammlung von Werken von Keith Mansfield und John Cameron als "einen streichergeschnürten, harmonisch durchdrungenen KPM-Klassiker".

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    Voices In Harmony was released in 1973 as “a selection of contemporary pop titles featuring voices, brass and rhythm”. We choose to describe this collection of works by Keith Mansfield and John Cameron as “a string-laced, harmony-drenched KPM classic”.

    From the bright, lilting harmonies of “Liquid Sunshine” to the melting flutes of “Loving Touch” and “Gentle Persuasion”, this is warm, effervescent soul music for dreamy, idyllic moods. The supreme “Husky Birdsong” is so, so smooth, with its unrelenting bossa bassline and warm keyboards. “Half Forgotten Daydreams” is a gorgeous wordless groove.

    As with all ten re-issues, the audio for Voices In Harmony comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

    TRACKLISTING
    1.The Joys Of Spring
    2.Play The Game
    3.Ode To A Rock Opera
    4.Young Generation
    5.Swingle Song
    6.Roller Coaster
    7.Fly Away
    8.Sweet Summer
    9.Husky Birdsong
    10.Gentle Persuasion
    11.Sundown
    12.The Loving Touch
    13.Loving Spoonful
    14.Half Forgotten Daydreams
    15.Liquid Sunshine

    Be With has worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship.

    Whether it’s killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century.

    These records were never readily available, being originally released as a ready-made, affordable alternative to commissioning music for television and radio. Consequentially the originals have been unobtainable for decades by all but the most dedicated collectors.

    The audio for all ten re-issues comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

    But we didn’t just get a bit giddy and find ourselves re-issuing classic work from Alan Parker, Alan Hawkshaw, Brian Bennett, Nick Ingman, James Clarke, Francis Coppieters, Keith Mansfield, David Snell and John Fiddy. In the middle of the project KPM also asked Be With to be responsible for the vinyl version of Full Circle, an entire LP of new material from Alan Hawkshaw and Brian Bennett. Who were we to refuse.

    So that makes eleven records in total, all released on the 16th of November, and available for pre-order ordering now... Erhältlich ab 23.11.2018 Getaggt mit:
  • Nick Ingman – Distinctive Themes / Race To Achievement

    Sektion: Musik, Neue Releases

    Image: 1621936 Be With Records hat mit dem heiligen KPM zusammengearbeitet, um zehn ihrer Favoriten aus der gesamten KPM 1000 Serie und dem Themes International Music Katalog, der derzeit unter der Leitung von KPM steht, neu aufzulegen. Distinctive Themes / Race To Achievement wurde 1976 veröffentlicht und ist der legendäre Arrangeur Nick Ingman, der die beiden unterschiedlichen Ideen von "beeindruckenden Themen, die sich im Stil von Basie bis Elgar unterscheiden" und "einer Studie über den Druck und die Belohnungen von Leistungen" untersucht.

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    Released in 1976, Distinctive Themes / Race To Achievement is legendary arranger Nick Ingman exploring the two distinct ideas of “impressive themes varying in style from ‘Basie to Elgar’” and “a study in the pressure and rewards of achievement”.

    Distinctive Themes is a veritable indulgence of variously-tempoed, full orchestra, big band workouts, from relaxed swing to more propulsive themes. The progressively building “Expanding Markets” is a true highlight, with its rolling pianos, contemplative electric guitar solos and moody horns over skipping beats. The dramatic “Against The Odds” is another stand-out.

    Race To Achievement is all rugged funk with stabbing chords and strutting horns and it’s probably our favourite side. Of course we have to acknowledge the fantastic “Tense Preparation”, sampled by Prince Paul and Dan The Automator for Handsome Boy Modeling School’s seminal “Magnetizing” with Del Tha Funky Homosapien. But the whole side’s range from tense underscores to fast and punchy chase themes makes this is a gem of the KPM catalogue.

    As with all ten re-issues, the audio for Distinctive Themes / Race To Achievement comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

    TRACKLISTING
    1.Happy To Be Alive 2.Basie 77 3.It's Easy 4.Expanding Markets 5.Land Of Opportunity 6.Against The Odds 7.Ooops! 8.Pride In Purpose 9.Winner Takes All - Opening 10.Winner Takes All - Closing 11.The Road Forward - Opening 12.The Road Forward - Closing 13.Trademark 14.Tense Preparation 15.Light Preparation 16.Under Pressure 17.Speedway 18.Double Quick 19.Made It 20.Pick Up 21.Accolade

    Be With has worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship.

    Whether it’s killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century.

    These records were never readily available, being originally released as a ready-made, affordable alternative to commissioning music for television and radio. Consequentially the originals have been unobtainable for decades by all but the most dedicated collectors.

    The audio for all ten re-issues comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

    But we didn’t just get a bit giddy and find ourselves re-issuing classic work from Alan Parker, Alan Hawkshaw, Brian Bennett, Nick Ingman, James Clarke, Francis Coppieters, Keith Mansfield, David Snell and John Fiddy. In the middle of the project KPM also asked Be With to be responsible for the vinyl version of Full Circle, an entire LP of new material from Alan Hawkshaw and Brian Bennett. Who were we to refuse.

    So that makes eleven records in total, all released on the 16th of November, and available for pre-order ordering now... Erhältlich ab 23.11.2018 Getaggt mit:
  • Johnnie Taylor – Ain’t That Lovin’ You/Blues In The Night

    Sektion: Musik, Neue Releases

    Image: 1621214 Soul Brother präsentiert zwei absolute Soul-Klassiker von Johnnie Taylor aus seiner 1960er Phase bei Stax Records erstmals auf einer gemeinsamen 7": die fantastische Two-Step-Midtempo-Ballade "Ain't That Lovin' You" (1966), die später von Luther Ingram, Alton Ellis und Dennis Brown gecovert wurde, und den Uptempo-Favoriten aus der Northern Soul-Szene, "Blues In The Night" (1967). Erhältlich ab 05.10.2018 Getaggt mit:
  • Baba Stiltz – Is Everything

    Sektion: Musik, Neue Releases

    Image: 1608215 Baba Stiltz setzt seine Releasereihe auf Studio Barnhus fort. Bewegte er sich in seiner Frühphase 2013 noch bei temporeichem Noise-House, bietet er auf seiner neuen 5-Track-EP “Is Everything” nun eine Variation aus icy Techno Soul, modernem R&B und echtem Future-Funk. Erhältlich ab 03.02.2017

    Getaggt mit:
  • Danny Brown – Atrocity Exhibition (Warp)

    Sektion: Highlights

    Danny BrownDas vierte Album des Detroit-Rappers Danny Brown erscheint mit prominenten Features auf Warp Records. “Atrocity Exhibition” ist dabei der neueste Höhepunkt in einer langen Serie von Highlights: Im Verlauf der letzten Jahre hat Danny Brown mit vielen hochkarätigen Künstlern wie Purity Ring, Rustie, Schoolboy Q, E-40 oder Ghostaface Killah gearbeitet. Für den Posse-Track “Detroit vs. Everybody” tat er sich mit Eminem, Dej Loaf, Royce da 5’9″ Kompletter Artikel →

    Getaggt mit: , ,
  • Das vierte Album des Detroit-Rappers Danny Brown erscheint auf Warp Records

    Sektion: News

    Danny Brown“Atrocity Exhibition” ist der neueste Höhepunkt in einer langen Serie von Highlights: Im Verlauf der letzten Jahre hat Danny Brown mit vielen hochkarätigen Künstlern wie Purity Ring, Rustie, Schoolboy Q, E-40 oder Ghostaface Killah gearbeitet. Für den Posse-Track “Detroit vs. Everybody” tat er sich mit Eminem, Dej Loaf, Royce da 5’9″, Big Sean und Trick Trick Kompletter Artikel →

    Getaggt mit: , ,

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