Suche nach “TIME NO PLACE” — 36 Treffer

  • Lustre – Another Time, Another Place (Chapter One)

    Sektion: Musik, Neue Releases

    Image: 1624031 "Another Time, Another Place (Chapter One)" ist das erste von zwei Compilation-Alben mit der lang erwarteten, noch nie zuvor veröffentlichten EP "The Ardour of Autumn" von 2013 sowie der EP "Welcome Winter" von 2009. Die beiden EPs wurden speziell ausgewählt, um den Übergang der Herbstsaison zum Winter darzustellen. Mit vier Tracks, mit einer Gesamtspielzeit von insgesamt etwa 40 Minuten, besteht (Chapter One) aus sehr begehrten Aufnahmen der umfangreichen Diskographie der Ambient Black Metal-Pioniere LUSTRE. Erhältlich ab 29.03.2019 Getaggt mit:
  • Lustre – Another Time, Another Place (Chapter Two)

    Sektion: Musik, Neue Releases

    Image: 1624032 "Another Time, Another Place (Chapter Two)" ist das zweite von zwei Sammelalben mit der allerersten LUSTRE EP "Serenity" von 2008 sowie der 2013 veröffentlichten EP "A Spark of Times of Old".


    Die beiden EPs dieser Veröffentlichung wurden speziell ausgewählt, um den dunkleren Klang der Vergangenheit von LUSTRE darzustellen. Mit drei Tracks mit insgesamt etwa 40 Minuten Laufzeit enthält (Chapter Two)" zwei der wichtigsten frühen Werke des schwedischen Ausnahmekünstlers Nachtzeit. Erhältlich ab 29.03.2019 Getaggt mit:
  • Michael Nau – Some Twist (Full Time Hobby)

    Sektion: Highlights

    Michael NauAufgepasst, ihr Michael Nau Fans: Mitte Juni erscheint Michael Naus Debüt-Nachfolger “Some Twist”. Und was uns dort erwartet, fühlt sich an wie eine Frühlingsbrise unter Van Dyke Parks Hawaiihemd. Michael Naus Songwriting ist unprätentiös, lose-gestrickt und pendelt professionell zwischen Halftime-Lazyness und absoluter Entschleunigung. Und so ist “Some Twist” eine Kollektion brillanter Pop-Skizzen, bei denen immer Kompletter Artikel →

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  • Brokeback – Illinois River Valley Blues (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1607954 A sense of place has been essential to the music of Brokeback since guitarist/bassist
    Douglas McCombs frst launched the project in 1995. Initially conceived as a solo
    outlet, the Chicago group has taken on new dimensions over the past two decades,
    morphing from the lean, pastoral ambience of the frst album, Field Recordings
    from the Cook County Water Table, to the more muscular, taut arrangements
    and dynamic swells of the last release, Brokeback and the Black Rock, for which
    McCombs assembled a new quartet lineup. Each album develops with exacting
    detail, revealing McCombs’s gift for dialing in the essence of a mood, feeling, or
    distant locale with a handful of reverb-laden guitar tones, elegant and sustained,
    strategically placed and sparingly deployed. The instrumental landscapes he creates
    on Illinois River Valley Blues are utterly transportive, evoking familiar open-frontier
    soundtracks and charting out new sonic territory.
    McCombs’s singular approach to guitar and bass, characteristic of his work with
    Tortoise, is expertly enhanced here by James Elkington (Tweedy, Steve Gunn) on
    second guitar (moving over from drums on the last record). The two salute one of
    McCombs’s favorite bands, Television, with latticed dual leads on the stately yet
    aggressive “On the Move and Vanishing,” while Elkington’s subtle layers of pedal
    steel and organ burnish more ruminative forays like “Andalusia, IL” and “Ursula.”
    Their intertwining ?ights are anchored by the sturdy yet versatile rhythm team of
    bassist Pete Croke (Exit Verse, Tight Phantomz) and drummer Areif Sless-Kitain
    (the Eternals), the newest member of Brokeback.
    Thematically this is McCombs’s most personal offering yet, re?ecting on his early
    years growing up along the Illinois River corridor between Peoria and Chicago.
    Though the inspiration is McCombs’s, the execution is wholly a group effort. With
    the same instrumentation and mostly the same lineup as the previous album, the
    band stretches its leader’s eternal fascination with the roots of American guitar
    music in bold new directions. A serpentine mystique runs through “Rise, Fernanda,
    Rise!,” and “Cairo Levee” conjures a desert atmosphere closer to the Sahara than
    the American southwest. Side one of the album closes with a moody, meditative
    take on “Spanish Venus,” a ballad written by cornetist and sometime Brokeback
    collaborator Rob Mazurek (Chicago Underground, Exploding Star Orchestra). “I
    could hear Brokeback doing the tune from the moment I heard him workshopping
    it with Pulsar Quartet at a little cocktail bar in Logan Square,” says McCombs.
    Several songs feature lush, multi-layered vocals by Amalea Tshilds (the Paulina
    Hollers), who made a deep impression on McCombs with a spellbinding a cappella
    performance a couple years ago. “I often imagine female vocals on Brokeback
    records, but I wanted it to be someone that I have personal history with, someone
    who can nail it, not to mention someone who I know digs the music,” he says.
    “That’s why Mary Hansen (Stereolab) sang on all those earlier records and why I
    wanted Lea for this.”
    Illinois River Valley Blues is a winding, wistful travelogue that not only captures
    darker textures but mines their depths. That’s been part of McCombs’s vision for
    Brokeback from the start: “To me a song is not worth writing if it doesn’t have a
    strong sense of melancholy,” he says

    TRACK LISTING:
    1. Ride Ahead and Light
    the Way For Me
    2. Cairo Levee
    3. The Canyons of Illinois
    4. Andalusia, IL
    5. Spanish Venus
    6. On the Move and Vanishing
    7. Rise, Fernanda, Rise!
    8. Ursula
    9. The Strollers’ Memorial
    10. Night Falls on Chillicothe

    SALES POINTS
    Brokeback is the longstanding project of Douglas McCombs.
    McCombs is a member of Tortoise, Eleventh Dream Day, The
    Sea and Cake, and Pullman, and has worked with Tom Ze,
    Azita Youseff, Will Oldham, Calexico and Yo La Tengo
    The current Brokeback quartet lineup features McCombs
    joined by James Elkington (Tweedy, Steve Gunn), Pete
    Croke (Exit Verse, Tight Phantomz), and Areif Sless-Kitain
    (The Eternals)
    Illinois River Valley Blues was produced by John McEntire
    (Stereolab, Yo La Tengo)
    Album photography by Sam Prekop (The Sea and Cake)
    Brokeback will tour extensively throughout the year
    The album features guest vocals from Amalea Tshilds (the
    Paulina Hollers) and a cover of a Rob Mazurek written ballad
    (Chicago Underground, Exploding Star Orchestra)
    “for anyone who appreciates an outstanding rhythm section
    pushing interesting song structures, topped with emotionrich storytelling that’s done through a guitar”
    – Premier Guitar
    “… at its center it’s all ragged glory, guys banging out riffs
    and solos, a clear-cut delve into the rock frmament. You can
    practically feel the band members blowing the dust off their
    old plaid shirts and cracking open a six pack” – Pitchfork Erhältlich ab 24.02.2017

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  • Michael Nau – Mowing (Full Time Hobby)

    Sektion: Highlights

    Michael NauDas Londoner Label Full Time Hobby hat Zuwachs bekommen: Der appalachische Singer/Songwriter Michael Nau gehört nun zur Label-Familie und kündigt sein Album “Mowing” für den 18. November an. Angenehm staubig, warm aber auch schräg-folkig klingt “Mowing” und passt bestens zwischen die Klassiker von Lee Hazelwood, Scott Walker und Brian Wilson. Ein perfektes Album für einen schönen faulen Sonntag Kompletter Artikel →

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  • Nick Waterhouse – Never Twice (Innovative Leisure)

    Sektion: Highlights

    Nick WaterhouseNick Waterhouse, der R&B-Revivalist aus Kalifornien, kehrt mit seinem dritten Album “Never Twice” zurück. Auf “Never Twice” arbeitete Nick Waterhouse wieder mit seinem alten kreativen Partner Michael McHugh (Black Lips, Ty Segall, Allah-Las) zusammen. McHugh war eine Legende in der oft unterschätzten Musikszene von Orange County, in der Nick groß wurde. Um die Energie ihrer Jugend in der Szene von Huntington Beach Kompletter Artikel →

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  • Armin Van Buuren – A State Of Trance 2019 (Armada)

    Sektion: Highlights

    Armin Van BuurenHier kommt die Hauptausgabe im “A State Of Trance” Jahr 2019! Von progressiven Melodien über himmlische Vocals bis zu markanten Drops, Trance Music kann Hörer und Tänzer in immer höhere Sphären heben. Und mit der brandneuen “A State Of Trance 2019” Ausgabe kommt auch direkt das Jahres-Highlight dieser Erfolgsserie: die 40 stärksten Tracks der Saison, zur Perfektion gemixt von Kompletter Artikel →

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  • Petrol Girls – Cut & Stitch (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1651347 Cut & Stitch is a patchwork of different sounds, ideas and feelings. It’s the most experimental record we’ve made so far, both musically and lyrically. Cutting and stitching is a process that can go on indefinitely - stitches are easily unpicked, new shapes can be cut, everything can be rearranged. We cut our patches off of old clothes and sew them onto something else. Continuity is an idea that underpins the record, from ‘the sound does not arrive’ to ‘we’re not finished, we never fucking will be.’ This follows on from the sentiment of our last EP, ‘The Future is Dark.’ Political change is a slow, complicated process that’s often only partly visible with hindsight. Making change is a constant collective process that never stops. Its probably impossible for us to see our place within it or to know what consequences our actions will have. It isn’t as simple or hopeless as straightforward victories and failures.
    Feminism has become more of an overall approach than an obvious topic, seeping into the way we think about everything from the environment to mental health. We’ve also started to think more about what feminism means for men, given that half of the band are men, and explore the perspective of a man struggling with expressing his emotions in ‘Talk in Tongues.’
    The majority of the lyrics were written in the studio. I was having a difficult time, unsure about where to live after we finished the record, and burnt out from a tough year of personal and legal challenges. Something that I’ve reluctantly allowed feminism to teach me is that we have to tend to our own wounds, and that sometimes being vulnerable is just as radical as being angry - it certainly scares me a lot more. Rage on its own isn’t sustainable. We hope this is a more honest and human record.

    SIDE 1
    1. Intro
    2. The Sound
    3. Tangle Of Lives
    4. Interlude (Q&A)
    5. Big Mouth
    6. Interlude (Looming)
    7. Monstrous
    8. No Love For A Nation
    9. Skye
    10. Burn
    11. Talk In Tongues
    12. Interlude (They Say)
    13. Rootless
    14. Weather Warning
    15. Naive

    "The Sound" (Video)
    https://youtu.be/oXNIzL1eXcA Erhältlich ab 24.05.2019 Getaggt mit:
  • Petrol Girls – Cut & Stitch (Ltd. Transparent Green LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1651346 Cut & Stitch is a patchwork of different sounds, ideas and feelings. It’s the most experimental record we’ve made so far, both musically and lyrically. Cutting and stitching is a process that can go on indefinitely - stitches are easily unpicked, new shapes can be cut, everything can be rearranged. We cut our patches off of old clothes and sew them onto something else. Continuity is an idea that underpins the record, from ‘the sound does not arrive’ to ‘we’re not finished, we never fucking will be.’ This follows on from the sentiment of our last EP, ‘The Future is Dark.’ Political change is a slow, complicated process that’s often only partly visible with hindsight. Making change is a constant collective process that never stops. Its probably impossible for us to see our place within it or to know what consequences our actions will have. It isn’t as simple or hopeless as straightforward victories and failures.
    Feminism has become more of an overall approach than an obvious topic, seeping into the way we think about everything from the environment to mental health. We’ve also started to think more about what feminism means for men, given that half of the band are men, and explore the perspective of a man struggling with expressing his emotions in ‘Talk in Tongues.’
    The majority of the lyrics were written in the studio. I was having a difficult time, unsure about where to live after we finished the record, and burnt out from a tough year of personal and legal challenges. Something that I’ve reluctantly allowed feminism to teach me is that we have to tend to our own wounds, and that sometimes being vulnerable is just as radical as being angry - it certainly scares me a lot more. Rage on its own isn’t sustainable. We hope this is a more honest and human record.

    SIDE 1
    1. Intro
    2. The Sound
    3. Tangle Of Lives
    4. Interlude (Q&A)
    5. Big Mouth
    6. Interlude (Looming)
    7. Monstrous
    8. No Love For A Nation
    9. Skye
    10. Burn
    11. Talk In Tongues
    12. Interlude (They Say)
    13. Rootless
    14. Weather Warning
    15. Naive

    "The Sound" (Video)
    https://youtu.be/oXNIzL1eXcA Erhältlich ab 24.05.2019 Getaggt mit:
  • Purple Disco Machine Pres. Various – Glitterbox – Discotheque (Defected / Glitterbox)

    Sektion: Highlights

    Purple Disco Machine Pres. VariousPurple Disco Machine ist der Shootingstar der deutschen Disco/House-Szene und präsentiert auf Defected seine erste DJ-Mix-Compilation! Tino Piontek aus Dresden tritt mit seinem international mächtig beliebten Disco/House-Sound in die Fußstapfen von Ikonen wie Boris Dlugosch und Mousse T. Seine Clubhits auf Labels Kompletter Artikel →

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  • The Apartments – Live At L’Ubu (LTD 2LP+MP3 RSD)

    Sektion: Musik, Neue Releases

    Image: 1623602 In 2015, The Apartments released No Song, No Spell, No Madrigal in Europe and by year’s end, influential French Music magazine Magic had made # 1 Album of The Year. While never before been achieved by an Australian artist, this might have come as no surprise to French fans devoted to the band.

    To support the release of No Song, No Spell, No Madrigal, The Apartments toured then France in September 2015 as a full band. Their show at Rennes’ legendary L’Ubu Club was recorded, resulting in the double album, LIVE at L’Ubu. The live recording captures the dynamic line-up of Australian, French and English players, a seven-piece band. This allowed Peter Milton Walsh to, for the first time, drop the guitar and masterfully sing and perform a set of songs from the new album along with others from the Apartments strong back catalogue.

    The filming and recording of LIVE at L’Ubu is a showcase for the strengths of the live band and charisma of Peter Milton Walsh, the musical and poetic force behing The Apartments. Released to celebrate the 2019 Record Store Day, LIVE at L’Ubu is the very first LIVE recording by The Apartments.

    TRACKLISTING:

    Side 1: 1 On Every Corner - 2 No Song, No Spell, No Madrigal - 3 The House That We Once Lived In | Side 2: 1 Looking For Another Town - 2 Black Ribbons - 3 Swap Places | Side 3: 1 Please, Don't Say Remember - 2 Things You'll Keep - 3 Sunset Hotel - 4 The Goodbye Train – Side 4: 1 All You Wanted - 2 Knowing You Were Loved - 3 Everything is Given to Be Taken Away Erhältlich ab 13.04.2019 Getaggt mit:
  • Brutus – Nest (Ltd.Transparent Green LP+MP3+Poster)

    Sektion: Musik, Neue Releases

    Image: 1623409 "From feeling invincible and grooving together through life to eventually losing all that you’ve built. The album NEST is a reflection of everything that came with making choices about ourselves and the ones in your nest."

    Epic Belgian 3 piece BRUTUS can today announce details of their hugely anticipated forthcoming 2nd album 'Nest', set for release on March 29th  through Hassle Records in Europe and through Sargent House in the ROTW. The record release is preceded by the first single/video 'War' which was shot on the last day of the recordings at Nest in Rain City Recorders, Vancouver Canada, is out now and you can watch the video - https://youtu.be/EBRYSlKDlws

    To describe the last two years as a whirlwind for BRUTUS is something of an understatement. Having signed to Hassle Records, 2017 saw the release of their debut album, Burst , which set them on a path of award nominations and ‘album of the year’ accolades, as well as picking up huge fans from Lars Ulrich of Metallica to Simon Neil of Biffy Clyro . In the last 12 or so months, they have toured with Sargent House label mates Chelsea Wolfe and Russian Circles, BRUTUS
    also hit the road as main support to Thrice through Europe. Taking time out from the live circuit, the trio headed to Vancouver to record their second alb um, once again returning to Jesse Gander ( Japandroids, White Lung, Baptists ) at his Rain City Recorders studio in September 2018. The resulting 11 tracks form BRUTUS ’s new album, 'Nest'. By their own admission, the formative sound of the band was shaped b y their physical limitations, drummer Stefanie Mannaerts adopted vocal duties initially out of necessity. Having fully embraced her role as both vocalist and drummer, the full range of Stefanie’s multiple talents is showcased on 'Nest'. The abrasive urgenc y of her emotive vocals is mirrored in the tribalistic drumming, just as tender whispers echo the gentle roll of percussion elsewhere. Co - conspirators Stijn Vanhoegaerden (guitar) and Peter Mulders (bass) complete the magic circle with pervasive riffs, dyn amic bass lines, and a fine balance between uneasy restraint and unrepentant aggression. BRUTUS throws a net over post - rock, hardcore, metal and pop, gathering defining facets of each into their unique sound. A diverse mix of influences penetrated the BR UTUS bubble, the biggest of which was the people around them on the journey to the creation of 'Nest'. Be it the bands they toured with, their family at home, or indeed their own bandmates
    -
    human interaction is the nucleus of the album. However, additiona l sources of creative inspiration peppered their outlook, from Radiohead to Burial , from ‘Twin Peaks’ to Townes Van Zandt. The path BRUTUS has taken has been meticulously mapped out on 'Nest'. All those glorious highs and euphoric moments are presen t
    -highlighted in magnificent technicolour no less. Burrowed in amongst those triumphs are moments of reflection, the choices they have made in pursuit of their goals and the impact those choices have had on both themselves and those they have left behind in their nest. The arc of the album charts the friction between the band’s forward motion and their desire to maintain a connection to those back at home. It’s a timeline of invincibility and doubt, of taking risks and letting go, a chronology of what the y are and what they’ve done. Bound by a thread that was intangible to others, their shared experiences, both good and bad, 'Nest' is the sound of a band who know how to use the strength of their bond to full effect, to use every part of themselves as an additional tool for conveying their message: take care of those in your own nest. BRUTUS find their places of comfort to be very different to the ones previously held dear, the nest they started out with is not quite the same one as they stand in today.

    1. Fire 03:49
    2. Django 03:06
    3. Cemetery 03:55
    4. Techno 03:36
    5. Carry 03:01
    6. War 04:39
    7. Blind 02:22
    8. Distance 03:06
    9. Space 02:46
    10.Horde V 04:04
    11. Sugar Dragon 07:44 Erhältlich ab 29.03.2019 Getaggt mit:

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