Suche nach “TIME NO PLACE” — 27 Treffer

  • Michael Nau – Some Twist (Full Time Hobby)

    Sektion: Highlights

    Michael NauAufgepasst, ihr Michael Nau Fans: Mitte Juni erscheint Michael Naus Debüt-Nachfolger “Some Twist”. Und was uns dort erwartet, fühlt sich an wie eine Frühlingsbrise unter Van Dyke Parks Hawaiihemd. Michael Naus Songwriting ist unprätentiös, lose-gestrickt und pendelt professionell zwischen Halftime-Lazyness und absoluter Entschleunigung. Und so ist “Some Twist” eine Kollektion brillanter Pop-Skizzen, bei denen immer Kompletter Artikel →

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  • Brokeback – Illinois River Valley Blues (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1607954 A sense of place has been essential to the music of Brokeback since guitarist/bassist
    Douglas McCombs frst launched the project in 1995. Initially conceived as a solo
    outlet, the Chicago group has taken on new dimensions over the past two decades,
    morphing from the lean, pastoral ambience of the frst album, Field Recordings
    from the Cook County Water Table, to the more muscular, taut arrangements
    and dynamic swells of the last release, Brokeback and the Black Rock, for which
    McCombs assembled a new quartet lineup. Each album develops with exacting
    detail, revealing McCombs’s gift for dialing in the essence of a mood, feeling, or
    distant locale with a handful of reverb-laden guitar tones, elegant and sustained,
    strategically placed and sparingly deployed. The instrumental landscapes he creates
    on Illinois River Valley Blues are utterly transportive, evoking familiar open-frontier
    soundtracks and charting out new sonic territory.
    McCombs’s singular approach to guitar and bass, characteristic of his work with
    Tortoise, is expertly enhanced here by James Elkington (Tweedy, Steve Gunn) on
    second guitar (moving over from drums on the last record). The two salute one of
    McCombs’s favorite bands, Television, with latticed dual leads on the stately yet
    aggressive “On the Move and Vanishing,” while Elkington’s subtle layers of pedal
    steel and organ burnish more ruminative forays like “Andalusia, IL” and “Ursula.”
    Their intertwining ?ights are anchored by the sturdy yet versatile rhythm team of
    bassist Pete Croke (Exit Verse, Tight Phantomz) and drummer Areif Sless-Kitain
    (the Eternals), the newest member of Brokeback.
    Thematically this is McCombs’s most personal offering yet, re?ecting on his early
    years growing up along the Illinois River corridor between Peoria and Chicago.
    Though the inspiration is McCombs’s, the execution is wholly a group effort. With
    the same instrumentation and mostly the same lineup as the previous album, the
    band stretches its leader’s eternal fascination with the roots of American guitar
    music in bold new directions. A serpentine mystique runs through “Rise, Fernanda,
    Rise!,” and “Cairo Levee” conjures a desert atmosphere closer to the Sahara than
    the American southwest. Side one of the album closes with a moody, meditative
    take on “Spanish Venus,” a ballad written by cornetist and sometime Brokeback
    collaborator Rob Mazurek (Chicago Underground, Exploding Star Orchestra). “I
    could hear Brokeback doing the tune from the moment I heard him workshopping
    it with Pulsar Quartet at a little cocktail bar in Logan Square,” says McCombs.
    Several songs feature lush, multi-layered vocals by Amalea Tshilds (the Paulina
    Hollers), who made a deep impression on McCombs with a spellbinding a cappella
    performance a couple years ago. “I often imagine female vocals on Brokeback
    records, but I wanted it to be someone that I have personal history with, someone
    who can nail it, not to mention someone who I know digs the music,” he says.
    “That’s why Mary Hansen (Stereolab) sang on all those earlier records and why I
    wanted Lea for this.”
    Illinois River Valley Blues is a winding, wistful travelogue that not only captures
    darker textures but mines their depths. That’s been part of McCombs’s vision for
    Brokeback from the start: “To me a song is not worth writing if it doesn’t have a
    strong sense of melancholy,” he says

    1. Ride Ahead and Light
    the Way For Me
    2. Cairo Levee
    3. The Canyons of Illinois
    4. Andalusia, IL
    5. Spanish Venus
    6. On the Move and Vanishing
    7. Rise, Fernanda, Rise!
    8. Ursula
    9. The Strollers’ Memorial
    10. Night Falls on Chillicothe

    Brokeback is the longstanding project of Douglas McCombs.
    McCombs is a member of Tortoise, Eleventh Dream Day, The
    Sea and Cake, and Pullman, and has worked with Tom Ze,
    Azita Youseff, Will Oldham, Calexico and Yo La Tengo
    The current Brokeback quartet lineup features McCombs
    joined by James Elkington (Tweedy, Steve Gunn), Pete
    Croke (Exit Verse, Tight Phantomz), and Areif Sless-Kitain
    (The Eternals)
    Illinois River Valley Blues was produced by John McEntire
    (Stereolab, Yo La Tengo)
    Album photography by Sam Prekop (The Sea and Cake)
    Brokeback will tour extensively throughout the year
    The album features guest vocals from Amalea Tshilds (the
    Paulina Hollers) and a cover of a Rob Mazurek written ballad
    (Chicago Underground, Exploding Star Orchestra)
    “for anyone who appreciates an outstanding rhythm section
    pushing interesting song structures, topped with emotionrich storytelling that’s done through a guitar”
    – Premier Guitar
    “… at its center it’s all ragged glory, guys banging out riffs
    and solos, a clear-cut delve into the rock frmament. You can
    practically feel the band members blowing the dust off their
    old plaid shirts and cracking open a six pack” – Pitchfork Erhältlich ab 24.02.2017

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  • Michael Nau – Mowing (Full Time Hobby)

    Sektion: Highlights

    Michael NauDas Londoner Label Full Time Hobby hat Zuwachs bekommen: Der appalachische Singer/Songwriter Michael Nau gehört nun zur Label-Familie und kündigt sein Album “Mowing” für den 18. November an. Angenehm staubig, warm aber auch schräg-folkig klingt “Mowing” und passt bestens zwischen die Klassiker von Lee Hazelwood, Scott Walker und Brian Wilson. Ein perfektes Album für einen schönen faulen Sonntag Kompletter Artikel →

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  • Nick Waterhouse – Never Twice (Innovative Leisure)

    Sektion: Highlights

    Nick WaterhouseNick Waterhouse, der R&B-Revivalist aus Kalifornien, kehrt mit seinem dritten Album “Never Twice” zurück. Auf “Never Twice” arbeitete Nick Waterhouse wieder mit seinem alten kreativen Partner Michael McHugh (Black Lips, Ty Segall, Allah-Las) zusammen. McHugh war eine Legende in der oft unterschätzten Musikszene von Orange County, in der Nick groß wurde. Um die Energie ihrer Jugend in der Szene von Huntington Beach Kompletter Artikel →

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  • Cassie – Cassie

    Sektion: Musik, Neue Releases

    Image: 1597747 Be With Records present the hugely anticipated first ever vinyl release of r'n'b star Cassie's seductive debut. A late-night classic of chilly electro-soul, the self-titled album has influenced many in the dance music fraternity since its original CD-only appearance back in 2006. Particularly revered by Jamie xx, Four Tet, Hot Chip and Tri Angle Records, the r'n'b cognoscenti went into overdrive when rumours of this release first leaked.

    Perhaps most famously, it features the slick summer smash "Me&U" which reached No.6 in the UK charts and topped the US equivalent. Yet the remaining 10 tracks serve to create a "minimalist r'n'b" masterpiece, the intricate and space-filled arrangements are laced with sinister synth bleeps that wouldn't have been out of place on an early 90s Warp record. The dark, hypnotic high ends coupled with Cassie's ice-queen delivery made this stand out from the tired crowd of mainstream r'n'b at the time. It still sounds wholly and eerily unique.

    Like all Be With releases, this record is officially licensed and has been cut by Frank Arkwright at the legendary Abbey Road Studios. Pressed on audiophile 180gram vinyl - befitting the heaviness of the music contained within - it also features the original artwork set elegantly within its 12"x12" borders.

    1. Me&U (feat. Cassie)
    2. Long Way To Go (feat. Cassie)
    3. About Time (feat. Cassie)
    4. Kiss Me (feat. Cassie)
    5. Call U Out (feat. Cassie)
    6. Just One Nite (feat. Cassie)
    7. Hope You're Behaving (Interlude) [feat. Cassie]
    8. Not With You (feat. Cassie)
    9. Ditto (feat. Cassie)
    10. What Do U Want (feat. Cassie)
    11.Miss Your Touch (feat. Cassie) Erhältlich ab 11.01.2019 Getaggt mit:
  • Trentemøller – Harbour Boat Trips Vol. 02 Copenhagen (HFN Music)

    Sektion: Highlights

    TrentemöllerAuf der neuen “Harbour Boat Trips” kuratiert und mischt Trentemøller sechzehn Songs zu einem faszinierenden, düsteren Mix, der von Shoegaze bis Electronica reicht! Inklusive bekannten und renommierten Künstlern wie A Place to Bury Strangers (mit einem neuem Trentemøller-Remix) und Slowdive, bis hin zu obskuren Fundstücken, sowie Trentemøllers eigenen Tracks und Remixen, vor allem einem Kompletter Artikel →

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  • Trentemøller kuratiert und mischt die neue Ausgabe der “Harbour Boat Trips”

    Sektion: News

    TrentemöllerAuf der neuen “Harbour Boat Trips” kuratiert und mischt Trentemøller sechzehn Songs zu einem faszinierenden, düsteren Mix, der von Shoegaze bis Electronica reicht! Inklusive bekannten und renommierten Künstlern wie A Place to Bury Strangers (mit einem neuem Trentemøller-Remix) und Slowdive, bis hin zu obskuren Fundstücken, sowie Trentemøllers eigenen Tracks und Remixen, vor allem einem brandneuen Trentemøller Cover Kompletter Artikel →

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  • Deru – Torn In Two

    Sektion: Musik, Neue Releases

    Image: 1621549 FOF present the exciting new project Torn In Two from Deru

    1. Torn In Two
    2. Refuge
    3. Borders
    4. Our Brief History
    5. All The Kings Men
    6. Pyre
    7. The Overview Effect
    8. Undertow
    9. Warmer Nights

    2 x 12” (Special Edition Translucent Splatter Gatefold 2xLP – Limited to 500)

    Deru aka Benjamin Wynn is an Emmy Award winning American composer and music producer. His last Torn In Two’s music lives in evolving landscapes of violence and beauty, with compositions that shape-shift, flutter, and decimate one's sense of time and place. The album is a collection of microtonal pieces where the pitches were derived from acoustic instruments, and processed woodwind and brass recordings. Both represented new directions for Wynn, and the results are pieces that are more dynamic and full-spectrum than his previous body of work. They explode into walls of distortion and recede into quiet acoustics. Wynn recently created the score for Impulse, Doug Liman’s YouTube Premium show, is a founding member and Creative Director of The Echo Society, a Los Angeles based composer collective and non-profit
    organization as well as Emmy award winner for his work on Avatar: The Last Airbender and Legend of Korra TV shows.

    RIYL: Ryuichi Sakamoto, Tim Hecker, Oneohtrix Point Never

    Erhältlich ab 19.10.2018 Getaggt mit:
  • Yotto – Hyperfall (Gatefold 2LP)

    Sektion: Musik, Neue Releases

    Image: 1620945 Finnish DJ and producer Otto Yliperttula, aka Yotto, is a dance music star in the making. Championed by some of the genre’s most respected trailblazers and building an army of adoring fans, Yotto is primed to join the big leagues with the release of his highly anticipated debut album ‘Hyperfall’.
    Yotto’s unique sound blends dark, brooding atmospheres with light, uplifting melodies – deftly hitting the sweet spot between melancholy and euphoria. Otto draws inspiration from his childhood favourites The Chemical Brothers and Röyksopp, along with more contemporary influences ranging from Eric Prydz and M83 to Jon Hopkins and XXX. Having debuted on Anjunadeep in early 2015 he quickly caught the ear of BBC Radio 1’s Pete Tong and Annie Mac, picking up no fewer than 5 ‘Essential New Tunes’ and 3 ‘Hottest Records In The World’, along with DJ support from the likes of Solomun, Jamie Jones, Patrice Baumel, Adriatique and Joris Voorn, who signed Yotto to his renowned Green label. The 13-track debut LP Hyperfall is the culmination of three years in the ascendency, and sees Yotto continue to carve his own exciting path.
    The album’s first single ‘The One You Left Behind’ weaves trademark Yotto progression alongside a driving low-end groove, with the vocals of Iceland’s Vök building to a euphoric crescendo. The second track on the album, it pulls the listener in before further lifting the energy with recent club hit ‘Kantsu’.
    The album takes an unexcpted turn at this point, moving from the punchy opening into the murky sci-fi world of ‘Nada C’, a downtempo track that was actually written by Yliperttula back in 2005, and has finally been unearthed now that the time is right. ‘Turn It Around’ layers Otto’s own vocals above mysterious pads, before making way for a classic arpeggiated melody, flowing into ‘Epilogue’, another introspective moment, this time featuring Otto’s brother CAPS on vocals. From here the album continues on its emotive journey through the muted euphoria of ‘Odd One Out’, to the rising tension of ‘Hear Me Out’ before the joyous release of ‘Walls’, a unadulterated burst of happiness to close out proceedings. The album marks another milestone for UK label Anjunadeep. Founded in 2005, the label is now approaching 400 releases, and is famed for unearthing the likes of Dusky, Lane 8, Cubicolor and Moon Boots. With over 100 million streams in recent years, and sold-out label festivals around the world, Anjunadeep continues to cement it’s place as one of electronic music’s leading labels, with Yotto leading the way.

    1. Hyperfall
    2. The One You Left Behind - Yotto feat. Vök
    3. Kantsu
    4. Nada C
    5. Turn It Around
    6. Epilogue - Yotto feat. CAPS
    7. Outsight
    8. Odd One Out
    9. Hyperlude
    10. Radiate
    11. Hear Me Out - Yotto feat. Sønin & Laudic
    12. Walls
    13. Waiting Here Erhältlich ab 14.09.2018 Getaggt mit:
  • Glenn Jones – The Giant Who Ate Himself… (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1619789 The Giant Who Ate Himself And Other New Works For 6 & 12 String Guitar
    is Glenn Jones at his most vivid, exploring memories old and new through
    beautifully woven threads of melody. His unparalleled skill and creativity
    exhibits the mastery Jones possesses of his craft, further cementing his position
    as a pillar in American Primitive guitar music. Recorded in New Jersey by
    Laura Baird and mixed by Matthew Azevado, The Giant Who Ate Himself And
    Other New Works For 6 & 12 String Guitar, make for an exceptional evening of
    The album’s title is itself is an homage for Jones’ mentor John Fahey, whose
    friendship with Jones spanned 25 years. The people whom Jones surrounded
    himself with too share a presence in the pieces throughout the album. “A
    Different Kind of Christmas Carol” took on an entirely new life for Jones after his
    curmudgeonly, Scrooge-like introduction to the song at a show in Pennsylvania
    was met with beaming enthusiasm from a child. The arching journey of “From
    Frederick To Fredericksburg” recounts a day Jones spent with old friend and
    collaborator the late Jack Rose while visiting renowned 78 collector Joe Bussard
    and their journey home late into the night. Sounds of the rural New Jersey
    outdoors of the recording studio even fnd their way onto the album with the
    sound collage piece “River In The Sky.”
    Jones approaches his compositions frst and foremost as concepts, emotions,
    and colors. Every step in his process of writing and recording is in service of
    creating a distinct character for each piece. According to Jones, “To get that
    sense of place and time, you have to let the world into the recording.” By giving
    glimpses of the colorful personalities who have affected him, Jones’ The Giant
    Who Ate Himself in turn shows us who he is: a master of his craft, continuing
    to reach for more.

    1. The Giant Who Ate Himself
    2. Everything Ends
    3. The Last Passenger Pigeon
    4. The Was And The Is
    5. A Different Kind Of Christmas Carol
    6. River In The Sky
    7. From Frederick To Fredericksburg
    8. Even The Snout And The Tail
    9. Elliot Audrey, Born Today
    10. The Sunken Amusement Park

    Glenn Jones is an established pillar of storytellying in
    American Primitive guitar music.
    “His tunings are counterintuitive and mesmerizing, his use of
    partial capos and muted strings is novel and intriguing. But to
    Jones’ great credit, those only feel like tools for telling stories.”
    – Pitchfork
    “It’s incredibly calming to watch Glenn Jones play
    acoustic guitar….there’s nothing ?ashy about his style,
    only careful consideration as he gently hops over the frets
    like a lily-padding frog” – NPR All Songs Considered
    “Glenn Jones has a purist’s mastery but an inventor’s
    imagination” – The Wire
    The album was recorded in New Jersey by Laura Baird and
    mixed by Mathew Azevado
    The Giant Who Ate Himself is an homage to Jones’ friend and
    mentor, John Fahey, who’s friendship with Jones spanned 25
    LP pressed on virgin vinyl and packaged in a heavy stock
    jacket with inner sleeve including notes and tunings of each
    song and free download card.
    CD version in a 4 panel mini-LP style gatefold package. Erhältlich ab 24.08.2018

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  • White Ring – Gate Of Grief (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1619390 WHITE RING mark a triumphant return with a brand new full-length Gate Of Grief, due out on Rocket Girl on 22 June 2018. Their debut album arrives a full eight years since their benchmark EP, Black Earth That Made Me, which sold out almost instantly, making their records some of the most highly sought after on the underground scene and earning them a cult following across the globe. Swerving from aggressively abrasive to beautifully ethereal, musically they draw from varied and challenging palette, whilst tackling themes of loss and acceptance due to struggles with drug addiction and existential dread on a broader scope.

    WHITE RING were originally formed by Bryan Kurkimilis and Kendra Malia, before they were joined by Adina Viarengo, with Bryan and Adina currently touring as a duo. One of the most acclaimed proponents of the “Witch House” movement, WHITE RING blend heavy, distorted electronics with eerie, unsettling vocals. However, their new material, created over the course of seven years, pushes the boundaries further, subverting genre ideas and mashing them all together, with industrial, metal, rave, chopped and screwed, rap, grunge, neo folk, post punk and new wave all in the mix. As Bryan Kurkimilis explains, “We treat our influences like tools to create a certain feeling. We are interested in covering more ground than sticking to a certain formula.”
    Bryan and Kendra originally met on Myspace in 2006. At the time Bryan lived in New Orleans and Kendra was in New York, and they didn’t even meet face-to-face until 2008 after they had already released a few singles. In 2010 they released the EP Black Earth That Made Me, which was a collection of songs that they mostly recorded before they met in person. The record confounded expectations by selling out immediately on pre-order, making it very rare and highly sought after, with copies going on Ebay for large sums. It was reissued by Rocket Girl in 2011 and still continues to sell in voluminous amounts.

    They started playing live in 2009 and rapidly grew a reputation for their captivating performances, usually bringing their own lighting equipment and putting on a spectacular laser show. They have played for large crowds in their hometown of NYC and toured the UK in 2010 in support of their sold out split 7″ with oOoOO, playing InTheCity and SWN festivals – which were their first shows outside of New York. They have since shared the stage with the likes of Cold Cave, araabMUZIK, Liturgy, Blank Dogs, Gatekeeper, Blondes, oOoOO, Clams Casino, and others.  
    They started recording Gate Of Grief in 2010, with the hope of exploring new musical territory, however they took a while to find their path. Bryan and Kendra had some tough personal battles to fight, a sense that pervades the whole album. Thematically it delves in to some pretty dark places whilst exploring the concept of time and what it does to people, relationships and society. As Bryan explains, “There is a lot of tragedy in this album but there is also hope at the end of it.”

    By 2016 pressure was building to finish recording, however due to Kendra’s ill health, they needed to bring in someone new to assist with vocals. Fortunately they found Adina Viarengo, who had played in various bands and gave them the impetus needed to complete the album. Shortly after meeting in Brooklyn, Bryan and Adina moved to Joshua Tree, California to finish recording the album, before settling in Massachusetts. Her vocal style fitted in seamlessly with what Kendra had been doing, and although she sang on half the songs, it’s almost impossible to tell who is singing on which track, thus making her the perfect addition to the band.
    Gate of Grief can be considered the second part of Black Earth That Made Me, or rather, they are the first two chapters in an overarching trilogy about evolution. As Bryan explains, “First you are born but then you realize what you are and what is against you and it’s a flood of emotion that you can only hope to hold on for and let it pass.”
    The album title, Gate of Grief, refers to the real gate between Africa and Saudi Arabia that is believed to be the spot where the first humans migrated out of Africa and went on to populate the rest of the world. The album art ties in with this concept, with an image depicting a group of settlers in the USA in early 1900 during a parade. They were actually from a cult in the early 1900s in Bryan’s hometown of Fort Myers, Florida.
    Dwelling on the outskirts of pop music, WHITE RING grew up in the age of the internet and were exposed to a huge range of music. They have developed a unique style while pushing the boundaries of accessibility and musical genre. They have created a piece of art that is brimming with symbolism and underlying tensions, that seduces and scares in equal measure.

    “Fantastically dark as it fuses slo-mo hip-hop and distorted trance its scare comes in how seductive if it is.” Loud & Quiet 9/10
    “With their distorted synths, gunshot claps and ghoulish diva… evoking a horribly claustrophobic atmosphere.” Uncut
    “Less shoegazers-on-codeine, more Fuck-Buttons-go-mad-in-a-crypt.” Time Out
    1. Heavy Self Alienation
    2. Leprosy
    3. Angels
    4. Close Yr Eyes (CD and DD only)
    5. Fields Of Hate
    6. Low (featuring Fostercare)
    7. Puppy
    8. Chained (CD and DD only)
    9. Nothing
    10. Lasts In
    11. Amerika (Lord Of The Flies)
    12. Home Of The Brave
    13. Burn It Down
    14. Do U Love Me 2?
    Instagram: Erhältlich ab 27.07.2018

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  • Eugene Hideaway Bridges – Live In Tallahassee

    Sektion: Musik, Neue Releases

    Image: 1619166 Im Jahr 2017 kündigte die “Jus’ Blues Music Foundation” an, dass Eugene Hideaway Bridges für ihren Albert King Lifetime Award, den “Lucy Award”, für seine herausragenden Beiträge zur Fortsetzung des traditionellen Blues-Stils geehrt wird. Inspiriert von diesem Preis und in Erinnerung an seinen Bluesman-Vater Othineil Bridges Sr “Hideaway Slim” 1938 – 2015, kehrte Eugene zu seinen Wurzeln zurück. Live aufgenommen am 11. August 2017 – Die Eugene Hideaway Bridges Band, eine Nacht, eine Aufnahme, im historischen Bradfordville Blues Club in Tallahassee, Florida.

    Eugene Hideaway Bridges – Guitar & Vocals, David Webb – Piano / Organ, Kelpie McKenzie – Bass Guitar, Pat Manske – Drums

    Tracklisting: 1. Intro by Gary Anton / 2. Step By Step / 3. I Can Never Forget / 4. How Long / 5. When the Blues Overtake You / 6. Mom and Daddy’s Place / 7. Good Old Days / 8. Hold On A Little Bit Longer / 9. This Old House / 10. How Long Will It Take / 11. I Can’t Wait / 12. She’s Out Of My Life / 13. Take Home Pay / 14. Sweet Little Angel / 15. Don’t Call It Supper / 16. I’m Holding On / 17. I’ll Be A King / 18. I Can’t Stop Loving You Baby / 19. Rise Above It / Total time: 79 minutes Erhältlich ab 13.07.2018

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