Suche nach “WILD RECORDINGS” — 18 Treffer

  • Wild Silk – Visions In A Plaste – The Complete Recordings

    Sektion: Musik, Neue Releases

    Image: 1611703 Wild Silk waren eine britische 60s Pop-Psych-Formation, die Ende der 1960er Jahre aktiv war. Auf Cherry Red Records erscheint jetzt eine Anthology der Band mit dem Titel “Visions In A Plaster Sky – The Complete Recordings 1968 – 1969”. Die Zusammenstellung beinhaltete sämtliche Aufnahmen der Band, darunter Titel wie “Another Time”, “Toymaker”, “Tired Of Waiting For You”, “Burn Down The Cornfield”, “High Horse”, u.v.a. Plus Booklet mit informativen Liner Notes. Eine Empfehlung für alle 60s Pop-Psych-Fans!

    Erhältlich ab 27.10.2017

    Getaggt mit:
  • Claptone – Fantast (Different Recordings)

    Sektion: Highlights

    ClaptoneClaptone veröffentlicht sein zweites Studioalbum mit dem Titel “Fantast” über Different Recordings. In den letzten Jahren wurde Claptone dadurch bekannt, dass er seine Tracks und Mixe weltweit auf die Dancefloors gebracht hat. Mit der Veröffentlichung des Debütalbums “Charmer” (2015), setzte der mysteriöse Act mit der goldenen Schnabelmaske seinen Erfolgsweg fort und wurde über 60 Millionen mal auf Spotify gestreamt, spielte allein Kompletter Artikel →

    Getaggt mit: ,
  • Violent Femmes – We Can Do Anything (PIAS Recordings)

    Sektion: Highlights

    Violent FemmesDas neunte Studioalbum “We Can Do Anything” des legendären US-Trios Violent Femmes erscheint nach einer Pause von 15 Jahren. Man kann mit Fug und Recht behaupten: Violent Femmes haben nach wie vor Spaß an ihrer wilden Mischung aus ungestümen Folk, minimalistischem Punk, emotionalem Blues und Hinterland-Rock’n’Roll. Produziert wurde “We Can Do Anything” von Jeff Hamillton Kompletter Artikel →

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  • Alexander Tucker – Don’t Look Away (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1619792 Don’t Look Away is Alexander Tucker’s third album with Thrill Jockey,
    completing what Tucker views as the fnal piece to a trilogy that began
    with Dorwytch (2011) and Third Mouth (2012). His music brings a distinct
    otherworldliness, bringing the listener beyond the confnes of the physical
    world, and, much like the album cover alludes to, collages together
    sound that both brings you outside the atmosphere whilst simultaniously
    connecting you more closely to the seeds of existence. It is in this direction
    that Tucker continues to carve a position as one of Britian’s most forwardthinking songwriters.
    Recorded over an extended period in London and mixed inDaniel O’Sullivan’s
    Dream Lion Studio, Don’t Look Away emerged during a particularly prolifc
    creative period for Tucker. The album fnally came together while Tucker
    was in Zürich composing for the Schauspielhaus Zürich, and while he was
    establishing UNDIMENSIONED, his own publishing imprint as an active
    member of London’s wildly creative independent comic scene. As a result,
    Tucker’s wider work feels more present here than on previous recordings
    and this shows itself often in the lyrics, which range from relationships,
    including the uncomfortable ones we often have with ourselves, to sci-f
    imagery and cosmic horror.
    The musical landscape of Don’t Look Away is illustrated on the cover’s hand
    cut collage, created by Alexander Tucker. Viewing each aspect of his artistic
    output, be it visual art, comics or music, less as separate disciplines but
    more of as part of one connected whole – Tucker studied at the Slade School
    of Fine Art and has always drawn comparison between the layering of paint
    and the layering of sound – he explains: “The worlds I evoke through sound
    sit alongside the imagery within my comics, drawing and paintings.There
    is a melancholia and sadness about the transitory aspects of our earthly
    lives, alongside a fascinationwith the beauty and inexplicable nature of
    existence.

    TRACK LISTING:
    1. Objects
    2. Sisters And Me
    3. Visiting Again
    4. Boys Names
    5. The Saddest Summer 2
    6. Ghost On The Ledge
    7. Gloops Void (Give It Up)
    8. Behind The Shoulder
    9. A To Z
    10. Citadel
    11. Yesterday’s Honey
    12. ISHUONAWAYISHANAWA

    SALES POINTS
    Alexander Tucker is a member of Grumbling Fur, his duo
    with Daniel O’Sullivan.
    “Simultaneously beautiful and uncanny” – MOJO
    “Alexander Tucker may not make folk music, but he can
    weave a magic spell.” – The Quietus
    “Alexander Tucker is making some of the fnest music in
    Britain today”. – A Closer Listen
    “Alexander Tucker constructs surreal landscapes out of the
    most natural materials” – Dusted
    LP version pressed on high quality virgin vinyl and comes
    with a free download card. Limited quantities of vinyl are
    pressed on “Coke Bottle Clear” colored vinyl.
    CD version in a 4 panel mini-LP style gatefold package.
    Album cover designed by Alexander Tucker, displaying his
    hand-cut collage.
    Don’t Look Away was recorded in London and mixed in
    Daniel O’Sullivan’s Dream Lion Studio.
    Don’t Look Away will receive press servicing from Indie PR
    Alexander Tucker has established his own comic imprint ,
    UNDIMENSIONED Erhältlich ab 24.08.2018

    Getaggt mit:
  • Alexander Tucker – Don’t Look Away (Ltd. Colored LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1619793 Don’t Look Away is Alexander Tucker’s third album with Thrill Jockey,
    completing what Tucker views as the fnal piece to a trilogy that began
    with Dorwytch (2011) and Third Mouth (2012). His music brings a distinct
    otherworldliness, bringing the listener beyond the confnes of the physical
    world, and, much like the album cover alludes to, collages together
    sound that both brings you outside the atmosphere whilst simultaniously
    connecting you more closely to the seeds of existence. It is in this direction
    that Tucker continues to carve a position as one of Britian’s most forwardthinking songwriters.
    Recorded over an extended period in London and mixed inDaniel O’Sullivan’s
    Dream Lion Studio, Don’t Look Away emerged during a particularly prolifc
    creative period for Tucker. The album fnally came together while Tucker
    was in Zürich composing for the Schauspielhaus Zürich, and while he was
    establishing UNDIMENSIONED, his own publishing imprint as an active
    member of London’s wildly creative independent comic scene. As a result,
    Tucker’s wider work feels more present here than on previous recordings
    and this shows itself often in the lyrics, which range from relationships,
    including the uncomfortable ones we often have with ourselves, to sci-f
    imagery and cosmic horror.
    The musical landscape of Don’t Look Away is illustrated on the cover’s hand
    cut collage, created by Alexander Tucker. Viewing each aspect of his artistic
    output, be it visual art, comics or music, less as separate disciplines but
    more of as part of one connected whole – Tucker studied at the Slade School
    of Fine Art and has always drawn comparison between the layering of paint
    and the layering of sound – he explains: “The worlds I evoke through sound
    sit alongside the imagery within my comics, drawing and paintings.There
    is a melancholia and sadness about the transitory aspects of our earthly
    lives, alongside a fascinationwith the beauty and inexplicable nature of
    existence.

    TRACK LISTING:
    1. Objects
    2. Sisters And Me
    3. Visiting Again
    4. Boys Names
    5. The Saddest Summer 2
    6. Ghost On The Ledge
    7. Gloops Void (Give It Up)
    8. Behind The Shoulder
    9. A To Z
    10. Citadel
    11. Yesterday’s Honey
    12. ISHUONAWAYISHANAWA

    SALES POINTS
    Alexander Tucker is a member of Grumbling Fur, his duo
    with Daniel O’Sullivan.
    “Simultaneously beautiful and uncanny” – MOJO
    “Alexander Tucker may not make folk music, but he can
    weave a magic spell.” – The Quietus
    “Alexander Tucker is making some of the fnest music in
    Britain today”. – A Closer Listen
    “Alexander Tucker constructs surreal landscapes out of the
    most natural materials” – Dusted
    LP version pressed on high quality virgin vinyl and comes
    with a free download card. Limited quantities of vinyl are
    pressed on “Coke Bottle Clear” colored vinyl.
    CD version in a 4 panel mini-LP style gatefold package.
    Album cover designed by Alexander Tucker, displaying his
    hand-cut collage.
    Don’t Look Away was recorded in London and mixed in
    Daniel O’Sullivan’s Dream Lion Studio.
    Don’t Look Away will receive press servicing from Indie PR
    Alexander Tucker has established his own comic imprint ,
    UNDIMENSIONED Erhältlich ab 24.08.2018

    Getaggt mit:
  • The Skull Defects – The Skull Defects

    Sektion: Musik, Neue Releases

    Image: 1617222 Nach dreizehn Jahren als eines der Herzstücke von Schwedens Experimental-Rock-Szene kehren The Skull Defects mit ihrem fnalen Album zurück. Die Skull Defekts sind dafür bekannt, die rohe Vitalität von Punk mit dem Ritual der Volkstänze zu verbinden. Ihr finales Album ist das bisher am meisten durchkomponierte Werk der Band und hat mit Mariam Wallentin (Wildbirds & Peacedrums) ein neues Mitglied an der Seite von Joachim Nordwall iDEAL Recordings), Daniel Fagge Fagerström (8 Days of Nothing) und Henrik Rylander (Union Carbide Productions). Das Album erscheint mit Coverartwork von Daniel Higgs (Lungfish). Die CD erscheint als 4-seitiges Pocketpak. Das Vinyl erscheint im Tip-on Cover mit bedruckten Innenhüllen und MP3-Download-Coupon.

    Erhältlich ab 09.03.2018

    Getaggt mit:
  • The Skull Defects – The Skull Defects (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1617223 After thirteen years as one of the centerpieces of Sweden’s experimental
    rock scene The Skull Defekts return with their fnal, self-titled album.
    The Skull Defekts are known for merging the coarse vitality of punk with
    the ritualism of folk dances to create music that is addictive, wondrously
    discordant, and rooted in a belief in the overwhelming power of pure
    sound.
    Their fnal self-titled album is the band’s most composed effort to date
    and features new member Mariam Wallentin (Wildbirds & Peacedrums)
    joining core members Joachim Nordwall (founder of groundbreaking
    iDEAL Recordings), Daniel Fagge Fagerström (8 Days of Nothing), and
    Henrik Rylander (Union Carbide Productions).
    The members of The Skull Defekts are singular forces in the European
    experimental scene. Nordwall has frequently collaborated with
    acclaimed saxophonist Mats Gustafsson, including in his Fire! Orchestra,
    alongside Wallentin, who herself has collaborated with Swedish singer
    Lykke Li. In addition to The Skull Defekts, Nordwall and Rylander have
    worked together on numerous projects, including Orchestra Of Constant
    Distress, and Saturn And The Sun. The Defekts have worked with a wide
    variety of labels, a testament to their creative energy and the diversity
    of their output, including Important, Meudiademorte, Diagonal, Aa,
    iDeal, Touch, and Kning Disk. Frequent collaborator and singular artist
    in his own right Daniel Higgs again created the album artwork.

    TRACK LISTING:
    1. A Brief History of Rhythm, Dub, Life and Death
    2. Clean Mind
    3. The Dance
    4. Slow Storm
    5. Powdered Faces
    6. All Thoughts Thought
    7. A Message From The Skull Defekts
    8. The Beauty of Creation and Destruction

    “A slice of the kind of relentlessly pounding, tribal
    doomrock” – Tiny Mix Tapes
    The Skull Defekts have operated as one of the centerpieces
    of Sweden’s experimental rock scene and have toured the
    world over the past decade
    Cover artwork by Daniel Higgs (Lungfsh)
    LP pressed on black virgin vinyl and presented in a tip-on
    jacket with printed inner sleeve and free download card.
    The inner sleeve features printing on the inside pocket and
    the back panel of the LP jacket is printed in FOUR different
    colors, randomly distributed
    Full online marketing campaign and playlist pitching
    The Skull Defekts will perform their last shows in 2018 with
    plans to tour in both Europe and the US
    “A primordial force, promising liberation through
    obliteration.” – The Quietus
    “Not many bands in recent memory have been able to
    combine noise and otherworldly sonics with the sweat and
    hot breath of punk rock. The Skull Defekts have mastered it,
    boiled it down and resurrected it. For the sake of humanity,
    here’s hoping it burrows its way into more ears.” – Paste
    “This band are masters of their craft”
    – The Line of Best Fit Erhältlich ab 09.03.2018

    Getaggt mit:
  • Colleen – A Flame My Love, A Frequency (LP+MP3)

    Sektion: Musik, Neue Releases

    Image: 1611830 French multi-instrumentalist Colleen (Cécile Schott) is fearless in her willingness
    to explore new sounds and new ways of creating music as a solo performer. On
    her new album A ?ame my love, a frequency, she introduces the most drastic
    change to her music since she began singing on her fourth album, setting aside
    the viola da gamba she is known for in exchange for all electronic instrumentation
    – Moog pedals and Critter and Guitari synthesizers.
    Words used to describe her muse Arthur Russell are equally applicable to Colleen.
    Schott’s compositions can be in turn pop or experimental, vocal or instrumental,
    and acoustic or electronic. She has drawn on the baroque sounds of a classical
    instrument using the most modern pedals and looping techniques. Shape shifting
    as she does, the pieces are always distinctly her strong and utterly unique musical
    voice. A constant across Colleen’s albums are delicate extended melodies, minutely
    detailed soundscapes, and explorative unbounded compositions. Colleen’s work is
    a direct result of her core belief that in order to keep growing as an artist, you need
    to continue to be willing to experiment and to embrace drastic changes.
    The music of A ?ame my love, a frequency is the closest Colleen has come to a
    concept album, a re?ection upon one year in her life that began in the Autumn of
    2015. The album‘s central theme is the inescapable fact that life and death always
    walk hand in hand. Schott is an avid bird watcher and her home and studio on the
    coast of Spain allow for frequent trips out into the wilds. As any naturalist knows,
    extreme beauty and vitality go hand in hand with brutality. This symbiosis was made
    more personal when, on the way back from visiting a very ill relative in France, she
    decided to spend the night in her former home of Paris in order to take her viola
    bow for repair at a luthier in the Republique area. It was late afternoon and she
    remembers the beauty of Paris and people sitting and enjoying the cafés. That was
    November 13th and a mere 4 hours later these very same cafés were the scene of
    utter terror and death.
    A few weeks after the events, Colleen started composing the songs that make up the
    album. She recorded each song live with minimal edits and vocals were recorded
    without overdubs, creating a symbiosis between the machine and the performer
    that mirrors the album’s core concept. The personal narrative of the year in
    question yields a more vulnerable sound than any previous recordings by Colleen.
    “Separating” is an emotional response to being overwhelmed by the inevitability of
    death. Feelings of fear are never far from feelings of joy as they are in “Winter dawn”
    with its propulsive thump and ominous lyrics “I came home with a fstful of fear,”
    that manage to shift towards hope with “Love alone is your home.” Joy and hope are
    strongly present throughout the album, the catalyst that lifts us out of the darkness
    as inevitably as night to day. We are shown the wonderment of “Another world,”
    and through the metaphors of light, shown joy as in the title track. A ?ame my love,
    a frequency is an album that fnds optimism in the face of tribulation, a meditation
    on humanity’s ability to prevail. It is a beautiful, complex album by a singular and
    remarkable musician.

    TRACK LISTING:
    1. November
    2. Separating
    3. Another world
    4. Winter dawn
    5. Summer night (Bat Song)
    6. The stars vs creatures
    7. One warm spark
    8. A fame my love,a frequency

    SALES POINTS
    Colleen has been praised by Pitchfork, Uncut, Mojo, The
    Wire, Magnet, FACT, Stereogum, The New York Times,
    Exclaim, Relix, Resident Advisor, Paste, The Quietus, and
    more
    Colleen will tour extensively with her completely
    reconfgured synthesizer setup, including sets at
    Chicago’s Museum of Contemporary Art and PhilaMOCA in
    Philadelphia
    Colleen performed earlier this year at Moogfest where she
    also held a workshop explaining her pedal techniques.
    Moog has partnered with Thrill Jockey to help promote the
    album and host Colleen at their factory
    Features for the new album already confrmed with Magnet,
    Resident Advisor, and XLR8R in addition to a Dublab studio
    session
    LP pressed on virgin vinyl with artworked inner sleeve and
    free download coupon. A very limited supply pressed on
    white vinyl. CD version in mini-LP style gatefold
    Colleen has performed high profle in-studio sessions for
    both Seattle’s KEXP and New York’s WNYC
    Colleen’s 2015 album Captain of None was featured on
    countless end of year lists including NPR Music, BBC
    6 Music, The Quietus, Uncut, Bleep, and Vinyl Factory
    “Exquisite, precise music made of unlikely inputs…The
    result is like a heart that pumps blood and also data.” – New
    York Times
    “It is a wondrous concoction, simultaneously ancient and
    modern, brought together by technology and the ear of a
    woman who unites epochs.” – NPR Music
    “carves out and inhabits a persuasively exotic world of echo
    that invites total immersion.” – Mojo (4/5) Erhältlich ab 03.11.2017

    Getaggt mit:
  • Bill Brewster – Tribal Rites – Part 1 (2LP)

    Sektion: Musik, Neue Releases

    Image: 1612077 Nach Cosmic-Disco-Gott Prins Thomas (“Paradise Goulash”) und den britischen Mystikern Psychemagik (“Ritual Chants”) führt uns DJ-Veteran Bill Brewster für Eskimo Recordings durch seine Archive und präsentiert auf “Tribal Rites” eine musikalische Autobiografie voller Raritäten und Obskuritäten. Während sich CD1 mit der Post-Punk-, Dub- und Punk-Funk-Szene Anfang der 1980er befasst, widmet sich CD2 dem Balearic-Sound und CD3 der House Music. Zu den Highlights der Ausgabe gehören die Tracks von Urang Otan, The Raincoats und P!off? (“Mein Walkman Ist Kaputt”), die Coverversionen von Lou Reeds “Walks On The Wild Side” und Hall & Oates’ “I Can’t Go For That” sowie die Tunes von Mother Tongue und Maurizio (Basic Channel). Triple-CD mit 41 Tracks und zwei Doppel-LPs mit 10 bzw. 13 Tracks. Erhältlich ab 24.11.2017

    Getaggt mit:
  • Bill Brewster – Tribal Rites – Part 2 (2LP)

    Sektion: Musik, Neue Releases

    Image: 1612078 Nach Cosmic-Disco-Gott Prins Thomas (“Paradise Goulash”) und den britischen Mystikern Psychemagik (“Ritual Chants”) führt uns DJ-Veteran Bill Brewster für Eskimo Recordings durch seine Archive und präsentiert auf “Tribal Rites” eine musikalische Autobiografie voller Raritäten und Obskuritäten. Während sich CD1 mit der Post-Punk-, Dub- und Punk-Funk-Szene Anfang der 1980er befasst, widmet sich CD2 dem Balearic-Sound und CD3 der House Music. Zu den Highlights der Ausgabe gehören die Tracks von Urang Otan, The Raincoats und P!off? (“Mein Walkman Ist Kaputt”), die Coverversionen von Lou Reeds “Walks On The Wild Side” und Hall & Oates’ “I Can’t Go For That” sowie die Tunes von Mother Tongue und Maurizio (Basic Channel). Triple-CD mit 41 Tracks und zwei Doppel-LPs mit 10 bzw. 13 Tracks. Erhältlich ab 24.11.2017

    Getaggt mit:
  • Laura Marling – Semper Femina (More Alarming Records)

    Sektion: Highlights

    Laura MarlingLaura Marlings sechstes Album “Semper Femina” erscheint auf ihrem eigenen Label More Alarming Records in Zusammenarbeit mit Kobalt Music Recordings. Das Album wurde Ende 2015 in Los Angeles aufgenommen und gemeinsam mit dem US-amerikanischen Musiker Blake Mills (Alabama Shakes, Jim James) produziert. Gleichzeitig mit der Ankündigung zu “Semper Femina” gibt Laura Marling ihr Kompletter Artikel →

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  • Laura Marlings sechstes Album “Semper Femina” erscheint auf ihrem eigenen Label More Alarming Records

    Sektion: News

    Laura MarlingLaura Marlings sechstes Album “Semper Femina” erscheint auf ihrem eigenen Label More Alarming Records in Zusammenarbeit mit Kobalt Music Recordings. Das Album wurde Ende 2015 in Los Angeles aufgenommen und Kompletter Artikel →

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